Save for a rant-filled, canceled post from this past summer, I have never formally written on the topic of My Hero Academia. That might seem sacrilegious given my prior reputation as a Studio Bones devotee, but it never felt like there was anything to be said that hadn’t already been said.
It’s a super fun show given greater clout by its colorful cast and a uniquely relatable protagonist who goes through quite a lot of punishment to become the hero he wants to be. It has also been well-produced, taking year-long breaks in-between seasons to ensure a sustainable level of quality between arcs.
After a somewhat underwhelming third season (to me at least), the fourth season has been stellar so far, and high on hype from the last arc, I think everyone had high expectations for the new film, Heroes Rising. And to make a great year even better, those expectations were most certainly met.
Last week I looked at the divisive continuations of Psycho-Pass, both the second season and the movie. The latter marked the end of what I consider the first phase of the franchise, one bookended by two solid stories by Gen Urobuchi, held back by an abysmal second season and some missed potential with the film.
In 2018, a new trilogy of films set in the Psycho-Pass universe was announced for a 2019 release date called Sinners of the System. The three short films, each about an hour in length, take place at various points throughout the timeline. It would be the first new entry in the series in about four years. In the same year, a third season would be announced and released in the fall.
Psycho-Pass was back, with original director Naoyoshi Shiotani’s involvement being a major selling point. They wanted us to know that the series was returning in good hands. Even so, with such a long delay and the second season still a sore spot for many fans who felt the film didn’t make up for it, how well would this new phase fare?
When you take an established property with a certain level of fame in the cultural gestalt and try to do it again, you are asking for criticism. Remakes have these nasty labels attached to them because in principal a worthwhile piece of art should be able to stand on its own. Why remake something when the old work still exists?
Apart from being a cash-grab, maybe to update art that is arguably out of date and hasn’t aged well. Better yet, perhaps the remake signifies an intention to take a work in another direction to use the original’s framing device in a new innovative way. Either way, it’s easy to divide people over a new vision. Too close to the original and it seems pointless, but too different and it could be seen as a betrayal.
But what happens when the same mind behind the original comes back to remake his work, albeit with new help? Hideaki Anno’s classic Neon Genesis Evangelion certainly gained fame over the years despite how infamous it was at the time. The psychological drama fueled by Anno’s anguish made it legendary and yet Anno felt there was more to be done.
Anno split off from Gainax and together with his underling, Kazuya Tsurumaki, he decided to “rebuild” Evangelion. These films have been praised and lambasted in equal measure over the years. Most often people find an issue with the lack of thoughtful psychological pathos that made NGE‘s characters so real despite the premise. You can find plenty who will praise the visuals of the rebuilds, but many who will argue it doesn’t make up for what is lost.
But is there nothing here of value? Are these films not without some quality that is superior to the originals? I like to think that isn’t the case and after finally watching them recently, I think there are plenty of reasons to fall in love with these films. With the fourth and presumably final film coming in 2020, now is the perfect time to ask, what did the rebuilds get right?
Recently I enthusiastically wrote about Bungo Stray Dogs as it was in the middle of its third season. In the middle of writing it, I remembered that somehow I had avoided reviewing any of the series prior. In that same post, I also realized I have a lot of positive things to say as it turns out. Three seasons and a movie may seem like a tall order for one review, but I’m nothing if not a man of (too) many words.
For a series that I wouldn’t hesitate to recommend to my friends, the first season of Bungo has a few more problems upon second glance. This happens a lot with good shows I feel. There is a first season that catches your attention with some elusive quality you can’t quite put your finger on. Next up, the sequels build on the formula, turning the show into something even grander than you first envisioned.
The real tricky part is getting people into it without over-hyping it purely on the grounds of how good it gets later on. I’m sure if I kept watching Breaking Bad season four I would love it, but I don’t wanna watch Skylar try to buy a God damn car wash for half a season. Where was I? Oh yeah, allow me to start by giving you an honest look at this show’s humble beginnings.
How in the hell did Attack on Titan Season Three, Part 2 become #2 on MyAnimeList’s all-time top anime list? I was already a little surprised when Your Name dropped to #6 after Hunter x Hunter 2011 (makes sense), another iteration of Gintama (meh), and Steins;Gate (how have I not watched this yet?). However, for Attack on Titan to take #2, particularly in its third season? Now that threw me for a loop.
Granted, I’m not pretending this list is the be all end all, as it is merely determining the best based on the average score given by the users who have rated it on their lists. None of these shows are perfect. Both Fullmetal Alchemist Brotherhood and Your Name are arguably overrated and flawed, even if I think they are great. However, this list does give a sense of the nature of certain show’s fanbase and the cultural discussion surrounding a work.
I’ve never seen Gintama, nor does it look that interesting, but for this show to consistently score this highly tells me that the fanbase must be one of the most committed ever. Likewise, Hunter x Hunter 2011 is one of the most highly scored Shonen’s out there. Steins;Gate to me is the equivalent of that popular Emmy nominated show everyone says to watch but that I’ll take years to sit down and enjoy. The list says a lot more than just which anime is the best.
As such, my goal today is not to argue whether or not Attack on Titan is deserving of this status, but to understand why the fanbase is reacting so strongly and now of all times. Especially because, to me, season three is the weakest of three admittedly solid seasons.
The most shocking twist RWBY has delivered is that volume four was actually good. It only took a lesser product to make me appreciate what I had. When volume five started airing, my excitement was dwindling. Over one divisive volume, I went from optimist to pessimist and was only giving this volume the grace period as a hope that the problems could be solved.
Rewatching volume five with a more balanced critique may have allowed me the same clarity that I went into my review of volume four with. Sadly, even the clairvoyance of one willing to forgive couldn’t excuse what volume five did wrong. Even amongst those who may have enjoyed this season, I can’t imagine that this is perceived as anything other than the worst of the series.
Well, after quite some time, it is the beginning of the end, and not in the cliched movie trailer sense, or in the cliched RWBY episode name sense. It is actually more comparable to that of a dying animal, not just because of the declining quality of the series but how this series of reviews is my least viewed on this blog. Regardless, I’ve committed to it and as such its time for me to finally finish this with a review of volume four and my final post on volume five to follow soon after.
[Spoilers for all of RWBY ahead]
Featured Image by 权- on Pixiv
Last time, I took a long look at the beginning of Rooster Teeth’s Animated Web Series RWBY, both the incredibly promising promotional material and the lackluster first Volume. However, as the title of this series suggests, there are things in this show that I actually like, believe it or not. Volume Two is one of those things that I love. I’m of the mind that there has never been a truly great Volume of RWBY, but of the ones we have gotten, Two may be the closest to fulfilling the promise of the original four character trailers.
With that, I want to spend time focusing on exactly what changed in order to make this Volume so much more memorable and enjoyable. From a much more focused plot to enhanced visuals and direction and even the little tiny details. It’s not all perfect though, and for all its promise, there are some things that make this series incredibly hard to recommend.
[Spoilers For All of RWBY Ahead]
In 2012, Rooster Teeth announced a new web series called RWBY. I had already watched all of Red vs Blue, Rooster Teeth’s other major, long-running series, so the “Red” trailer for RWBY truly captivated me. Soon I realized that its creator, Monty Oum, was the same choreographer behind the action in seasons 8, 9 and 10 of Red vs Blue. It’s safe to say that there was plenty of reason to be excited.
One year and three character shorts later, the first volume premiered. It wasn’t a masterpiece by any stretch of the word, but I was having fun all the same. By all accounts, I am still a fan, which is strange because if you talk to me about it, and you may think I hate it. Of all the time spent talking about RWBY to my friends or to myself, half the time I talk about all the things I don’t like about it.
There have been plenty of problems with this show from day one. The episode lengths of Volume One, an overabundance of characters, insufficient development for the lead character, and plenty more. This is before Monty Oum’s passing in 2015, after which it became clear that RWBY was becoming a very different type of show without Monty.
RWBY is a mess, but it has somehow kept me watching for its characters, it’s concepts and even it’s action despite a dip in quality I plan to address. How it has managed this is a much more complicated manner and since I have miraculously never written about RWBY before now, this is the perfect time to talk at length about everything I love and hate about RWBY.
[Spoilers For All of RWBY Ahead]