It says a lot when I can fall in love with a director after just one of their works. Rie Matsumoto stole mine and many others’ hearts after season one of Blood Blockade Battlefront. While at times her chaotic direction could produce scenes difficult to parse, I defend that she has a way of conducting a narrative unforgettably.
I’d always heard that there was one other show that she directed but I never got around to watching it. One day while walking through a movie store, I found a copy of a series that immediately caught my eye. Something about the art and its dynamic composition spoke to me and I thought it looked familiar. Sure enough, when I looked it up on my phone, there she was.
Kyousougiga, a Toho Animation series directed by Rie Matsumoto. Just recently I took the time to dive into it and get a sense of what an original work of hers looks like. Additionally, today I want to look at Matsumoto’s career past and present to get a better sense of her style and where she comes from.
For a series that I wouldn’t hesitate to recommend to my friends, the first season of Bungo has a few more problems upon second glance. This happens a lot with good shows I feel. There is a first season that catches your attention with some elusive quality you can’t quite put your finger on. Next up, the sequels build on the formula, turning the show into something even grander than you first envisioned.
The real tricky part is getting people into it without over-hyping it purely on the grounds of how good it gets later on. I’m sure if I kept watching Breaking Bad season four I would love it, but I don’t wanna watch Skylar try to buy a God damn car wash for half a season. Where was I? Oh yeah, allow me to start by giving you an honest look at this show’s humble beginnings.
The “best” anime of all time is different for everyone. Across all media, in fact, you would be hard pressed to find a unanimously agreed upon “best” thing, outside of the agreements found within one’s own tight-knit group. Even then, there will be differences in taste.
“It’s all subjective,” is the point I’m trying to get across, but perfection doesn’t have to be dismissed in critique just because it’s improbable. If the perfect anime is different for everyone, and no consensus can be reached, then perfection is purely personal taste. It is absent of objective standards of quality and instead panders to the greatest amount of our interests.
I believe most people have not found their perfect movie or TV show, possibly because it doesn’t exist yet. We all have favorites though, so it stands to reason that if I took three of my favorite anime of all time and picked them apart, I could get a sense for what my perfect anime would be. Bear with me, this is going somewhere.
Sequels can be risky. This is true in any medium, but to many, Anime has a particular reputation for dodgy sequels. Some shows see changes in production staff that rob the sequel of what made the first so great, such is the case with Psycho-Pass 2. Other times, we may never even get a sequel due to low Blu-ray sales and miss out on the closure that any good story needs.
Thankfully, some of my favorite shows have gotten worthwhile sequels, but often I just hope that whatever 12 episode show I watch ends conclusively enough that I won’t be heartbroken should it not get renewed. So it’s with great pleasure that I say that season two of Kekkai Sensen manages to continue the show strong, sticking closer to the source material without disregarding the Anime-original story that made me fall in love with season one. Continue reading →
It’s been two years since the end of Blood Blockade Battlefront, arguably the best show of 2015 and one of my personal favorite Anime of all time. You can check out my review of season one here.
Now, I won’t act like I didn’t have my doubts going into the currently airing sequel. I was cautious after hearing that Rie Matsumoto would not be directing this time around. The loss of one creative mind can mean a big difference in determining whether the ship will sail or sink. Thankfully, Blood Blockade Battlefront & Beyond has not just sailed in its first three episodes, it has soared. Continue reading →
This season alone we have received the long awaited sequel to Attack on Titan and the sequel to one of the best shows of 2016, My Hero Academia. This has gotten me thinking about what other sequels are coming soon. After all, there are so many new and great shows each season, but every once in awhile, we get a sequel to an acclaimed series, an old classic or even an obscure gem. In the spirit of sequels, here are a few sequels I am interested in or would like to see in the future. I highly encourage you to check out each of the shows I will be addressing and to share them with others. Enjoy!
Kekkai Sensen hooked me right from the very beginning with our main character narrating a letter to his sister, as we are treated to a stunning montage of what is clear to be the climax of this 12 episode series. A wide array of colorful and sleek characters are seen dismembering ghoul after ghoul across a vast and expansive metropolis under the night sky, all the while our hero scales a tall staircase approaching what he hopes to be direction needed to stop the chaos and save the day. The main title flashes on the screen with dazzling effect and we are brought back to the beginning of the story.
At this point, it is pretty clear that Bones are masters of choreography and even clearer that I am a HUGE fanboy of their work. Last time I showcased fight scenes from the Cowboy Bebop movie, Sword of the Stranger, Darker than Black, and Mob Psycho 100. The quality of those fights truly speak for themselves but fights alone aren’t what make Bones special. It is their reputation for constantly creating new, imaginative works across genres and demographics, and still managing to approach each project with love and care. In that respect, today I will talk about consistency and variety, two qualities that make Bones one of the best in the business.