“To The Stray Dogs” – A Bungo Stray Dogs Retrospective

Recently I enthusiastically wrote about Bungo Stray Dogs as it was in the middle of its third season. In the middle of writing it, I remembered that somehow I had avoided reviewing any of the series prior. In that same post, I also realized I have a lot of positive things to say as it turns out. Three seasons and a movie may seem like a tall order for one review, but I’m nothing if not a man of (too) many words.

For a series that I wouldn’t hesitate to recommend to my friends, the first season of Bungo has a few more problems upon second glance. This happens a lot with good shows I feel. There is a first season that catches your attention with some elusive quality you can’t quite put your finger on. Next up, the sequels build on the formula, turning the show into something even grander than you first envisioned.

The real tricky part is getting people into it without over-hyping it purely on the grounds of how good it gets later on. I’m sure if I kept watching Breaking Bad season four I would love it, but I don’t wanna watch Skylar try to buy a God damn car wash for half a season. Where was I? Oh yeah, allow me to start by giving you an honest look at this show’s humble beginnings.

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A Review of Mob Psycho 100 II

In my review of season one, I praised how ONE manages to make overpowered characters likable and their stories tense through sheer emotion. This story about self-betterment and the discussion permeating the spectacle made battles ones of ideology in addition to super-powered flair. With a sequel, how does one continue this discussion without becoming repetitive?

Sequels can often succumb to a temptation to be like their predecessors, but bigger and better. Doing something different, even radically so, can be remembered better, but it is far more risky. That being said, you don’t have to be radical in order to make the sequel interesting in new ways. Sometimes it simply requires a change in focus.

Mob Psycho 100 II does exactly that.

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A Review of Mob Psycho 100

In American superhero culture there is an often annoying discussion about power-level in regards to fictional characters. The logic of any shonen action series or superhero story steeped in thematic morals is that the hero with the strongest will and heart wins specifically because of those components.

Yet still people will get all up in arms, partly because suspension of disbelief is often integral to the balance needed to keep audiences entertained. The other reason is that characters who are overpowered are often criticised because their power seems unearned, their victories seem illogical, or that there is no tension. It is the same reason why Superman is such a divisive character.

Funnily enough, the works of manga artist ONE seem to avoid these issues in discussion surrounding the works. It could be because the very nature of characters being overpowered are the point of the story like in One Punch Man, but there is more to it than that. After finally watching Mob Psycho 100, it is apparent that ONE’s talent comes from his ability to tackle complex themes and to produce tension and stakes through character drama rather than simply through the power levels of the characters.

Now that I have finally watched it, One thing is for sure, and it is that I am even more angry that Mob Psycho 100 did not win best animation back in 2016.

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Bungo Stray Dogs: Season Three & The Art of Wide Appeal

Some months back I went on a whole tirade about finding my “perfect” anime and ended up determining my three favorite shows of all time. One of them was Kekkai Sensen, an episodic action series by Studio Bones, which remains to be the closest to perfection I have found. However, when making that decision, I had a significantly difficult time picking between that and one other show: Bungo Stray Dogs.

Bungo Stray Dogs follows the Armed Detective Agency, a group of superhuman detectives who keep order in the port city of Yokohama. Meanwhile, they frequently face off against other supernatural organizations such as the aptly named Port Mafia. All major characters are named and based on real literary authors.

They are somewhat similar in premise. Both shows follow a team of sometimes serious, sometimes whacky superhumans keeping the peace in their respective towns. Kekkai Sensen captures the packed insanity of New York City while throwing in aliens and monsters. Bungo favors a more comparably peaceful and modern Yokohama. Both shows are episodic with a through-line narrative, both straddle the line between dramatic and comedic and they are both produced by Bones.

Eventually, it was no contest that Kekkai Sensen won the battle for being a bit more put-together throughout, whereas BSD was mixed in the first season. It helps that the former has the single greatest season finale I’ve ever witnessed, putting at least the first season comfortably among my top three.

That being said, Bungo Stray Dogs rides much the same line that Kekkai Sensen treads in winning over my heart and could easily make my top 10. It has managed to continue strong, with a feature film and a currently-airing third season. Six episodes in, it doesn’t seem to be losing stride.

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Why Does No One Talk About This Series? – Towa no Quon, Part 3

Towa no Quon’s upwards trajectory in quality is not a perfect one. It was marred in its beginnings by mediocre storytelling and inconsistent animation quality. It only won me over when it began to truly… well… begin.

But what a pair of sequels three and four were. The main cast shined as a team, Quon became more compelling and Epsilon stole the show in some surprising ways. One cliffhanger later, and it was time to see if Towa no Quon could stick the landing with its last two entries.

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Villains Becoming Heroes – Towa no Quon, Part 2

After the first two films left me unimpressed, I went into the subsequent entries with lowered expectations, yet an open mind. After all, the drought of trailers available for the series didn’t really give me much to build an idea of what awaited me. I’d also be lying if I said I didn’t see the potential for the series to save itself. Sure enough, the third film, The Complicity of Dreams, was the first truly great entry in the series.

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Bones’ Forgotten Film Saga – Towa No Quon, Part 1

After watching Star Driver, I didn’t think that Bones could surprise me like this again. I like to think that the studio couldn’t have had any more hidden gems to uncover, partly cause I don’t want to be known as “the blogger who never shuts the fuck up about Bones.” But a short series of films?… How the actual fuck?

Towa no Quon, a six-part series of short films, was previously only known to me by an animation cut by Yutaka Nakamura in a MAD. So obviously I looked into it and, after much delay, am finally giving it a look, since not a ton of people talk about it. Perhaps an omen, as the back of the box claims it has the potential to be remembered as “a classic” and after watching the first two films… I don’t see it.

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A Review of Tenrou: Sirius the Jaeger

Expectations can be rough. In my post about searching for my “perfect” anime, I laid out the key elements present in most of the media I enjoy. When I see even one of these components presented especially well in an upcoming show, I become obsessed. This is more or less what drew me to B: The Beginning at the start of 2018 and it has happened again now with Tenrou: Sirius the Jaeger.

But integral the success of any of my favorite shows are qualities that only present themselves when the entire picture shows itself. In this way, Sirius hooked me with its style, concept and the mastery of its action, but when the dust settled there wasn’t much left. Sirius is a lesson in the price of basing the crux of a show’s appeal on just action

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A Review of Cowboy Bebop: The Movie

How do you follow up a classic? Better question, how do you follow up a classic that concluded so perfectly as to deter any attempt at a continuation? You can try to advance the narrative beyond the conclusion but the result may be so different as to not attract the same audience or so similar it gets called derivative. For instance, Studio Sunrise’s Cowboy Bebop has received no shortage of praise, but what about the film from 2001?

Cowboy Bebop: Knocking on Heaven’s Door, was not a continuation of Bebop. It featured the same characters doing what they do best for two hours, but never feeling like a cheap cash in, but rather just… Bebop. A lesser studio may not have pulled it off, but this was no ordinary studio. As it turns out, it wasn’t even Studio Sunrise, but Studio Bones. Only fitting as its three founders were former members of Sunrise. So, how was the follow up to one of the most legendary anime when given the Bones treatment?
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What Am I Watching? August 27th, 2018

Wow, it’s been a whole year since I did one of these? Not sure why I haven’t done these more since they’re a great buffer in between longer editorials for this blog… Well, whatever, while I work on reviews for Cowboy Bebop: The Movie and Megalo Box, I figured I would give you another (long-overdue) a glimpse into what is currently consuming my free time.

It’s not a long list, as I’m not one who can consume too many new shows in a given season and is even less capable of finishing those in my backlog. Regardless, hope you will all sound off in the comments about your thoughts about the shows on this list when all is said and done. Now let’s get on with it.
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