I must say, ladies and gentlemen, I’m feeling a bit peeved right now. No one thought to notify me that Studio Bones produced a half magical boy, half mech show in 2010, bringing together an all-star staff list to produce one of the most flamboyant, bizarre and visually enticing works that almost none of my friends know about. A delightful gem by the name of Star Driver.
This staff list alone should garner attention from any Anime fan. The director is Takuya Igarashi, director of Soul Eater, Ouran Highschool Host Club, and Bungou Stray Dogs. The script was penned by Youji Enokido, who wrote FLCL, Redline and (again) Bungou Stray Dogs. Hell, sound director Kazuhiro Wakabayashi has so many credits worth mentioning that I’ll just direct you to his MyAnimeList page.
Impressive staff aside though, how do all the pieces fit together? And considering the pedigree of Bones and the other artists working on it, how has this show not been talked about more in the years since it’s release? Continue reading →
Sequels can be risky. This is true in any medium, but to many, Anime has a particular reputation for dodgy sequels. Some shows see changes in production staff that rob the sequel of what made the first so great, such is the case with Psycho-Pass 2. Other times, we may never even get a sequel due to low Blu-ray sales and miss out on the closure that any good story needs.
Thankfully, some of my favorite shows have gotten worthwhile sequels, but often I just hope that whatever 12 episode show I watch ends conclusively enough that I won’t be heartbroken should it not get renewed. So it’s with great pleasure that I say that season two of Kekkai Sensen manages to continue the show strong, sticking closer to the source material without disregarding the Anime-original story that made me fall in love with season one. Continue reading →
It’s been two years since the end of Blood Blockade Battlefront, arguably the best show of 2015 and one of my personal favorite Anime of all time. You can check out my review of season one here.
Now, I won’t act like I didn’t have my doubts going into the currently airing sequel. I was cautious after hearing that Rie Matsumoto would not be directing this time around. The loss of one creative mind can mean a big difference in determining whether the ship will sail or sink. Thankfully, Blood Blockade Battlefront & Beyond has not just sailed in its first three episodes, it has soared. Continue reading →
It’s a criminal understatement to say that Superheroes are pretty big in America. The Marvel Cinematic universe alone has been releasing some of the highest grossing films every year since 2008, having released 16 films at the time of writing. Superheroes and what they stand for are integral to American pop culture. America isn’t the only country with superheroes, but it is safe to say it popularized them by creating some of the most iconic heroes ever made.
So it’s interesting what happens when artists from other countries craft stories about Superheroes. How do they view superheroes and what kinds of stories do they make about them? British comic artists like Alan Moore opt for a more grim take on superhumans in alternate timeline stories like Watchman or even in established properties like Batman: The Killing Joke. But recently, Japan has made a few Anime that have captured the superhero market of America in a big way.
One Punch Man by Studio Madhouse and My Hero Academia by Studio Bones are two of the most popular Anime of the last three years. Both produced by credible high-profile studios and both garnering a fair following in the US. The former a viral hit and the latter an ongoing shonen series that is essentially a textbook guide for how to do a shonen series right. On top of all of that, these shows are fantastic superhero stories.
There is a reason I chose to analyze these two series through the lens of superhero fiction rather than say the shonen genre like most people do. The most monumental difference I notice between these two Anime and superheroes in the west is that the government doesn’t just coexist with superheroes, but actively regulates and monitors them.
Keeping this in mind, what would it be like to live in the worlds of these shows or even be a hero in one of them? Are these societies and their systems stable? Most importantly, what do these shows do with the superhero genre that isn’t too common in American superhero fiction? Continue reading →
Hey look, it’s one of these things again. Haven’t done one of these since April so the question remains, what the hell am I watching right now? I’ve specified which of the shows I’m watching are seasonal, as well as created categories for shows I’m rewatching and even shows on my backlog I’d like to continue (and hopefully finish) soon. Let’s dig in!
Concrete Revolutio: Superhuman Phantasmagoria
I remember seeing previews for this show back in the fall of 2015 and thinking it was a bit too weird for my tastes. Now with the benefit of hindsight, I can see that this show is an underrated gem, like many of my favorite shows. A Studio Bones show with some of the most exhilarating cuts by Animator Yutaka Nakamura and some extremely fun characters. The story seems to jump between two distinct timelines frequently which can be a tad confusing, but I can say with certainty that I’m hooked. Expect a review when I’m finished. Continue reading →
My last two posts focused on seasons one and two of Darker Than Black, a niche action Anime that I’ve been obsessed with over the past month for its flaws just as much as what is good about it. However, since the OVA is only four episodes, I may as well make the review short and sweet and then finally assess this series as a whole. If You’d like to read my other reviews to catch up, I will link them below.
I think I may have been a little too harsh on the first season of Darker Than Black. Sure, the story’s structure was a bit unusual, the stories themselves weren’t always that enjoyable and there was a conflicting tone that wasn’t well balanced, but it pulled through for me because the action and characters were very well done and the themes of the story, while open for interpretation, filled me with a sense of real satisfaction at the end of the series that I don’t often feel when analyzing a show. I ended my review of season one calling it average, but after watching season two I almost want to give the first season higher praise.
If you haven’t read my season one review, check it out here…
When we get sequels to popular Anime, the results can be mixed. You either get a sequel like Ghost in the Shell: Stand Alone Complex 2nd Gig or you get a sequel like Psycho Pass 2. The former expands upon the original’s premise and delivers an altogether superior product while the latter is a mess, plagued with new additions at the cost of what made the original so enjoyable. Sadly, Darker Than Black: Gemini of the Meteor is the latter rather than the former.
Do you ever try to find out why you love a show and then are dissatisfied with the reasons you come up with? Not because the reasons themselves aren’t sufficient, but because it doesn’t feel like those reasons are what typically justify praise when it comes to narrative mediums.
One popular school of thought places the narrative and writing at the forefront of what makes a story good. For me though, it is only the most common reason that people universally agree upon the quality of a story. Visual mediums are the most meaningful to me when the end result is a culmination of effective writing, visuals and especially music.
So what happens when I’m confronted with a show that flaunts a strong visual presence and great music but falls short in consistent writing and narrative. More importantly, why do I love 2007’s Darker Than Black, despite it falling into that category? Continue reading →
This season alone we have received the long awaited sequel to Attack on Titan and the sequel to one of the best shows of 2016, My Hero Academia. This has gotten me thinking about what other sequels are coming soon. After all, there are so many new and great shows each season, but every once in awhile, we get a sequel to an acclaimed series, an old classic or even an obscure gem. In the spirit of sequels, here are a few sequels I am interested in or would like to see in the future. I highly encourage you to check out each of the shows I will be addressing and to share them with others. Enjoy!
Kekkai Sensen hooked me right from the very beginning with our main character narrating a letter to his sister, as we are treated to a stunning montage of what is clear to be the climax of this 12 episode series. A wide array of colorful and sleek characters are seen dismembering ghoul after ghoul across a vast and expansive metropolis under the night sky, all the while our hero scales a tall staircase approaching what he hopes to be direction needed to stop the chaos and save the day. The main title flashes on the screen with dazzling effect and we are brought back to the beginning of the story.