The Untapped Potential of Ghost in the Shell 2017

[This analysis contains spoilers for Ghost in the Shell 2017]

Ghost in the Shell, directed by Rupert Sanders, is not a great movie. That isn’t to say it is terrible. I feel the need to clarify that in a world where sometimes it feels like things are either great or terrible. No, Ghost in the Shell may not be great, but it is an average, entertaining science fiction action flick.

Many will accuse this film of whitewashing, though I would argue many of those people haven’t seen much of the series. The hardcore fans who have seen the series mainly dislike the film for being a dumbed down, poor adaptation. Is it dumbed down? Certainly. Is it a poor adaptation? Well,¬†that depends on your perspective.

Keep in mind that EVERY version of Ghost in the Shell is significantly different from the other. The characters and lore change enough between them that it is easier to think of them as completely separate universes. Even the original manga creator, Shirow Masamune, said there was no definitive Ghost in the Shell. Hell, the original film was an adaptation of the manga and by all merits, it was nothing like the manga.

So in this analysis, I’m not judging GITS 2017 as an adaptation, but simply a new, flawed take on the series. I want to look at how this film fails to capture the essential elements of the series and even look what makes this film unique and the themes and messages that- if executed properly- could have led to a truly different, but all-together great classic.
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My Take on Sexualization in Anime

Anime is often accused of having way too much sexualization to truly take the medium seriously. So what do I think, having been invested in this medium for so long? Well, I take to this topic the same stance I have on most discussions about representation and content in media. Sexualization itself is not the problem. The problem, if you feel there is one, is in the execution and frequency of said sexualization.

I’m of the mind that sex appeal is a necessary part of media because sex and the wide array of emotions tied to it make it a great emotional appeal in a narrative. Of course, it has other, more obvious uses as well, but I don’t think we should be afraid of sex in media, we should be afraid of not having enough variety in our media to balance out that sex.
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