Mid-Season Checkup – DARLING in the FRANXX

The spring Anime season is upon us and everyone is either watching Violet Evergarden now that it is on Netflix or the new season of My Hero Academia. Meanwhile, I’m over here still watching Darling in the Franxx, the collaboration between Trigger and A-1 that I covered a couple months ago. So before everyone forgets about it, I thought I would cover the show thus far and see how it has been shaping up as it enters the second half of its 24-episode run.
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First Impressions of DARLING in the FRANXX

Studio Trigger, to me, is the darling (pun not intended) of the Anime industry. It didn’t start that way, mind you. The hype and praise surrounding it was merely built on the staff list and the ridiculous expectations of fans who were bound to be disappointed when Kill la Kill wasn’t perfection. Factor in several other duds like Ninja Slayer or the second Little Witch OVA and it starts feeling like Trigger was all talk.

Thankfully, with shows like Kiznaiver or Space Patrol Luluco, Trigger is starting to really earn the hype it garnered at the beginning. It is a studio overflowing with creativity, exploring new avenues and other genres with every project, even if they don’t always have a ton of money. Perhaps to rectify that specific issue, Trigger has partnered with A-1 Pictures to produce Darling in the Franxx, a brand new mech anime from the director of The Idolm@ster, Atsushi Nishigori.
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My Take on Sexualization in Anime

Anime is often accused of having way too much sexualization to truly take the medium seriously. So what do I think, having been invested in this medium for so long? Well, I take to this topic the same stance I have on most discussions about representation and content in media. Sexualization itself is not the problem. The problem, if you feel there is one, is in the execution and frequency of said sexualization.

I’m of the mind that sex appeal is a necessary part of media because sex and the wide array of emotions tied to it make it a great emotional appeal in a narrative. Of course, it has other, more obvious uses as well, but I don’t think we should be afraid of sex in media, we should be afraid of not having enough variety in our media to balance out that sex.
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