Last week I raved about the best film of 2019, Penguin Highway. Initially, I wanted to get a head start on a new multi-part series of reviews but things take time. January tends to be a time to reflect on the previous year anyhow so why not keep the ball rolling. I watched more shows this year than I have in a while and there are still more which I missed, but for now, here are my top five TV anime of 2019.Continue reading
The 1948 novel Ningen Shikkaku, known in the west as No Longer Human, is considered a masterpiece of literature in Japan. It is considered autobiographical, as the torment of the main character seemed to mirror the demons of author Osamu Dazai. Dazai had completed suicide by the time the final part of this serialized book was released.
After many adaptations across many mediums over the years, Polygon Pictures has produced a new vision of the classic. Re-imagined as a sci-fi dystopian tale, Human Lost by director Funimori Kizaki is a striking film with a lot of ideas. Unfortunately, those ideas are seldom explored to the fullest.Continue reading
How do you follow up a classic? Better question, how do you follow up a classic that concluded so perfectly as to deter any attempt at a continuation? You can try to advance the narrative beyond the conclusion but the result may be so different as to not attract the same audience or so similar it gets called derivative. For instance, Studio Sunrise’s Cowboy Bebop has received no shortage of praise, but what about the film from 2001?
Cowboy Bebop: Knocking on Heaven’s Door, was not a continuation of Bebop. It featured the same characters doing what they do best for two hours, but never feeling like a cheap cash in, but rather just… Bebop. A lesser studio may not have pulled it off, but this was no ordinary studio. As it turns out, it wasn’t even Studio Sunrise, but Studio Bones. Only fitting as its three founders were former members of Sunrise. So, how was the follow up to one of the most legendary anime when given the Bones treatment?
The spring Anime season is upon us and everyone is either watching Violet Evergarden now that it is on Netflix or the new season of My Hero Academia. Meanwhile, I’m over here still watching Darling in the Franxx, the collaboration between Trigger and A-1 that I covered a couple months ago. So before everyone forgets about it, I thought I would cover the show thus far and see how it has been shaping up as it enters the second half of its 24-episode run.
I have been overjoyed recently, seeing Anime become even more popular here in the west and I believe the main reason for this is the involvement of two companies. Firstly, Funimation, the Houston-based Distributer that licenses, dubs and distributes Anime while also providing a streaming service. Secondly, Crunchyroll, a primarily streaming platform giving people access to hundreds of Anime, Manga and Japanese drama. The unification of these two companies has made the power of these two companies even stronger. Just recently Crunchyroll got all 64 episodes of Fullmetal Alchemist Brotherhood onto their site as one of the benefits of this deal and there has been a promise that this partnership will help get more Blu-ray releases for even more anime.
But for some reason when I talk to a lot of friends about Crunchyroll and Funimation, there seems to be a lot of hate surrounding the two that I simply do not understand. So I figured I’d give my two cents on why I think the hate is a bit ridiculous and suggest what we SHOULD be complaining about instead.