It’s the end of 2020… nearly. For December, I’m taking another hiatus to do some fiction writing. While I wouldn’t call it a grand finale, given how rough the year has been for many, it’s still worth celebrating that it is still ending. To celebrate, why not shout out the stories that know how to conclude the best.
Glass Reflections on YouTube often has said that “the ending is paramount” and despite my disagreements with him, I can’t disagree with him on that one. The ending of a story can make or break it. The conclusion of SAO: Ordinal Scale made the plodding narrative leading up to it all worth it. On the flip side, the last five minutes of Black Butler II ruined an otherwise exciting season in retrospect.
So here are a few of my favorite endings that left on a high note, redeeming lesser qualities or acting as the culmination of greater ones. They made me cry, they made me giggle uncontrollably, or they left me without the will to speak.
When you take an established property with a certain level of fame in the cultural gestalt and try to do it again, you are asking for criticism. Remakes have these nasty labels attached to them because in principal a worthwhile piece of art should be able to stand on its own. Why remake something when the old work still exists?
Apart from being a cash-grab, maybe to update art that is arguably out of date and hasn’t aged well. Better yet, perhaps the remake signifies an intention to take a work in another direction to use the original’s framing device in a new innovative way. Either way, it’s easy to divide people over a new vision. Too close to the original and it seems pointless, but too different and it could be seen as a betrayal.
But what happens when the same mind behind the original comes back to remake his work, albeit with new help? Hideaki Anno’s classic Neon Genesis Evangelion certainly gained fame over the years despite how infamous it was at the time. The psychological drama fueled by Anno’s anguish made it legendary and yet Anno felt there was more to be done.
Anno split off from Gainax and together with his underling, Kazuya Tsurumaki, he decided to “rebuild” Evangelion. These films have been praised and lambasted in equal measure over the years. Most often people find an issue with the lack of thoughtful psychological pathos that made NGE‘s characters so real despite the premise. You can find plenty who will praise the visuals of the rebuilds, but many who will argue it doesn’t make up for what is lost.
But is there nothing here of value? Are these films not without some quality that is superior to the originals? I like to think that isn’t the case and after finally watching them recently, I think there are plenty of reasons to fall in love with these films. With the fourth and presumably final film coming in 2020, now is the perfect time to ask, what did the rebuilds get right?