My last two posts focused on seasons one and two of Darker Than Black, a niche action Anime that I’ve been obsessed with over the past month for its flaws just as much as what is good about it. However, since the OVA is only four episodes, I may as well make the review short and sweet and then finally assess this series as a whole. If You’d like to read my other reviews to catch up, I will link them below.
With that squared away, let’s get to the good stuff.
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I think I may have been a little too harsh on the first season of Darker Than Black. Sure, the story’s structure was a bit unusual, the stories themselves weren’t always that enjoyable and there was a conflicting tone that wasn’t well balanced, but it pulled through for me because the action and characters were very well done and the themes of the story, while open for interpretation, filled me with a sense of real satisfaction at the end of the series that I don’t often feel when analyzing a show. I ended my review of season one calling it average, but after watching season two I almost want to give the first season higher praise.
If you haven’t read my season one review, check it out here…
When we get sequels to popular Anime, the results can be mixed. You either get a sequel like Ghost in the Shell: Stand Alone Complex 2nd Gig or you get a sequel like Psycho Pass 2. The former expands upon the original’s premise and delivers an altogether superior product while the latter is a mess, plagued with new additions at the cost of what made the original so enjoyable. Sadly, Darker Than Black: Gemini of the Meteor is the latter rather than the former.
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Do you ever try to find out why you love a show and then are dissatisfied with the reasons you come up with? Not because the reasons themselves aren’t sufficient, but because it doesn’t feel like those reasons are what typically justify praise when it comes to narrative mediums.
One popular school of thought places the narrative and writing at the forefront of what makes a story good. For me though, it is only the most common reason that people universally agree upon the quality of a story. Visual mediums are the most meaningful to me when the end result is a culmination of effective writing, visuals and especially music.
So what happens when I’m confronted with a show that flaunts a strong visual presence and great music but falls short in consistent writing and narrative. More importantly, why do I love 2007’s Darker Than Black, despite it falling into that category? Continue reading →