A Review of Given

Early in 2014, when I was just getting into anime, I decided to watch Free! Iwatobi Swim Club, the now-famous sports anime by Kyoto Animation. Being in the closet at the time, I went into it with the kind of ironic half-interest that wouldn’t tip off my friends that I was hella gay (which didn’t work anyway).

To put it bluntly, Free helped me come out of the closet. Granted, the characters never canonically became boyfriends or stated they were gay in the show. Regardless, the characters were all content in their masculinity and displayed a level of intimacy and emotional expressiveness that was really meaningful to me. I will always have a soft spot for that series. I talked more about this in my tribute to Kyoto Animation that you can read here.

Ever since then I’ve had a love/hate relationship with the Boys Love/ Yaoi genre of manga and anime. There are great stories that have been told, especially recently. Yuri on Ice hit the mainstream with gayness like a nuke and we’re still waiting for that fucking film. Sarazanmai went even harder, though I can’t say it was too memorable. The romance in No. 6 was the saving grace when the rest of it was a rushed mess. Finally, dated as it was, Banana Fish was the action drama infused with gay romance I always wanted and I should really finish it.

For every decent to great gay show that has seeped through the cracks, a lot of yaoi shows have turned me quite cynical towards the genre. The trash-tier of yaoi can be downright infuriating. Shit like Junjou Romantica and Love Stage too often treat non-consensual sex as the starting point to a relationship. There are a lot of really unhealthy tropes that have made it hard to get into anime with gay romances.

There is a lot of garbage out there, but recently, anime with gay characters are being produced more and more. Hell, half of the good examples I mentioned before came out in the last couple of years. And today I want to talk about a show that broke through a lot of that cynicism for me and left me a lot more hopeful for future stories like this.

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A Review of Megalo Box

There is something indicative of Megalo Box’s lasting impact on me when it took so long to get around to writing this review. I could understandably blame it all on my own shotty schedule prior to committing to my current release schedule, but maybe the writer’s block that occurred every time I tried to put my thoughts into words spells something more interesting.

It makes me wonder if the show was truly the classic in the making that I praised it for being. However, to imply that Megalo Box was not a good show through and through would be a gross misinterpretation. I may not praise it as a classic, but I’ll be damned if I call it anything but a good time.
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Megalo Box is a Love Letter to Anime’s Past

Remember two years ago when Studio Wit released Kabaneri of the Iron Fortress? To this day, that show’s greatest strength was its artwork and how it called back to the anime of the 80’s in both character design, shading and even how the characters evolved. It was a beauty to behold and I’m happy to hear that the series is going to continue despite the first season’s lackluster narrative.

The few anime from the 80’s I have seen I have LOVED. Gunbuster is easily one of my favorite OVAs ever made and even the 80’s anime I have not seen speak volumes through the artwork I’ve stumbled upon. For this reason, I am delighted that TMS Entertainment has decided to further┬ápay homage to the animation of yesteryear with Megalo Box. Continue reading