Do you ever notice time travel stories being criticized or picked apart more than other sci-fi? There have been numerous classics with all kinds of different interpretations and theories. Perhaps because it is a particularly nebulous concept among sci-fi subject matter that it inspires more analysis and thus is more prone to criticism.
But that is the point of science fiction, is it not? To explore out-of-this-world ideas. Still, the task of formulating a satisfying and logically sound time travel story adds considerably more work to the already lofty task posed by the standards of fiction writing.
From a creative standpoint, why risk it? Even the Marvel Cinematic Universe, which has continually prided itself on its thorough construction decided to muck things up by introducing time travel in Avengers: Endgame. Plot holes resulting from stories like this could be explained away after the fact just as easily as they could be things the writers never considered.
Is it a fault of the discussion or the writers? Well, it can be a bit of both. When I hear of a time travel story that has been widely praised even years after its release, I get that much more intrigued. Time travel is hard to do and no show does time travel quite like Steins;Gate, which I finally watched just last month.
It’s one thing to review anime that no one talks about, and that’s pretty fun. Chances are if I’m struggling to find content discussing an obscure show that looks cool, there are others just as aggrevated. I feel obligated to give these shows some publicity, whether it be good or bad. What’s more interesting are the times when the anime I’m reviewing is a more obscure part of a well-known series.
Recently I had the opportunity to analyze a film for my course on media criticism and decided to write about Ghost in the Shell: Innocence, the sequel to the very influential Ghost in the Shell from 1995. Despite having the same director and an impressive visual onslaught, the film has never gotten the same acclaim. after all these years. This surprises me, because given the choice between which I like better… I might enjoy Innocence more.
This is a reworked, SPOILER-FREE version of that essay, so treat this like a review of the film. For the UNEDITED ESSAY, click here.
After an incredible midseason finale, Darling in the Franxx kept going strong while taking things a bit slower to focus on the character drama. This part of the story has always been the most engaging throughout the entire program, and my hopes were high for the second cour of this fairly divisive show.
Sadly as it reached the conclusion, I became conflicted about the direction the show took. I waited patiently, knowing I wouldn’t have a solid grasp on my feeling towards the show until it was completed. Now that it is, I can safely say that Darling in the Franxx did not live up to the lofty promises that detractors would argue never bore fruit in the first place.
It is ranked number 4 on the list of highest-grossing films in Japan and the single highest grossing Anime film of all time. It has garnered worldwide acclaim and has taken the Anime community and the mainstream audience by storm. For a long, while it even beat out Fullmetal Alchemist Brotherhood on the MyAnimeList charts and even now sits at a comfortable #2. Yes, I am of course talking about Makoto Shinkai’s breakout success, “Kimi No Na Wa”, or “Your Name”.
The spring Anime season is upon us and everyone is either watching Violet Evergarden now that it is on Netflix or the new season of My Hero Academia. Meanwhile, I’m over here still watching Darling in the Franxx, the collaboration between Trigger and A-1 that I covered a couple months ago. So before everyone forgets about it, I thought I would cover the show thus far and see how it has been shaping up as it enters the second half of its 24-episode run.
Studio Trigger, to me, is the darling (pun not intended) of the Anime industry. It didn’t start that way, mind you. The hype and praise surrounding it was merely built on the staff list and the ridiculous expectations of fans who were bound to be disappointed when Kill la Kill wasn’t perfection. Factor in several other duds like Ninja Slayer or the second Little Witch OVA and it starts feeling like Trigger was all talk.
Thankfully, with shows like Kiznaiver or Space Patrol Luluco, Trigger is starting to really earn the hype it garnered at the beginning. It is a studio overflowing with creativity, exploring new avenues and other genres with every project, even if they don’t always have a ton of money. Perhaps to rectify that specific issue, Trigger has partnered with A-1 Pictures to produce Darling in the Franxx, a brand new mech anime from the director of The Idolm@ster, Atsushi Nishigori.
The benefit of a show like Ergo Proxy is that despite having come out in 2006, most people who watch this show have no idea where this show will go and the bizarre turns it will take with its story. I am no exception as I have been aware of this show and parts of its premise for years. However, upon finishing all 23 episodes, I can safely say that my expectations for the show were proven false after just three or four episodes and I never was truly able to predict where it would go after that.
[Update (May 13th, 2017): The official Under the Dog website is working again and the creators have posted the “final update” on the Under the Dog project. The blog post can be found here.]
In early 2016 I got really excited about a Kickstarter project that I had already known about for a while but never quite grasped the importance of. Under the Dog is an Anime project that was a Kickstarter success back in 2014, only to be on hiatus until the OVA was finally released on August 1st, 2016. It promised to be a gritty science fiction epic inspired by Akira and Ghost in the Shell. It was a project helmed by industry veterans but now… nothing. More than half a year after the release of the OVA and nothing. So what happened? How did a project with such promise fall so far into the depths of obscurity?