Bleach, despite the myriad criticisms I’ve heard leveled at it, has maintained a reputation akin to anime royalty. Even from the outside, it isn’t unfathomable as to why. The art direction and style is striking enough that I can’t say I’ve seen many shows that have mirrored the look of its characters. Additionally, the show’s lifespan on cartoon blocks like Toonami guaranteed it a legacy in the minds of a generation that stayed up way too late on a Saturday night to see the newest episodes.
2020 marks the 20th anniversary of the franchise and in celebration of that, the series seems to be getting a resurgence in more ways than one. Firstly, it was announced that the manga’s final arc would be adapted in a new anime project. Secondly, a new manga spinoff of Bleach would begin in the summer of this year. The spinoff had previously started as a one-shot back in 2018 but would now turn into a full series, with a short film meant to generate hype and interest. The series in question: Burn The Witch.
Before we begin, YES, Penguin Highway, directed by Hiroyasu Ishida, was released in Japan in 2018. However, seeing as how it was released in the US in 2019, I consider it a worthy candidate befitting of the accolade emblazoned on the title of this review. Plus I’ll use any excuse to talk about this lovely film.
Some of the most acclaimed and beloved anime films from Japan have had an inherent focus on youth and growing up. Most of the studio Ghibli films center around young boys and girls going on harrowing fantastical adventures that mature them, whether they be children or teens.
Often times the films of this nature are enveloped in that fantasy fully, never questioning the logic (and really, what’s the need?). But what happens when you set a similar type of story in a setting that is rather grounded yet slowly descends into fantasy? Furthermore, what happens when the protagonist explores said fantasy through the sheer power of science?
Not only do you get one of the most unique stories of its genre, but you also get the best-animated film of 2019