A Psycho-Pass Retrospective, Part One – Season One

I have no plans to make any sort of big “best of the decade” post, purely because I became an anime fan right around the midsection of this decade and always feel I can become more cultured. However, if you all would permit one instance of passionate and opinionated hyperbole, it would be that Psycho-Pass is one of the best science fiction series of the past decade.

But that word “series” carries a certain connotation. After all, there have been three seasons of Psycho-Pass and about four films, not counting the novel and video game spin-offs as well. Furthermore, after season one, the quality of the series is contentious at best.

Some argue the first season is the peak and then all sequels pale in comparison to varying degrees. It’s a perspective that I can’t necessarily argue with, even if I enjoy most of the content after season two. Regardless, I think that the series’ continued lifespan speaks well of the intentions of the creators at the beginning: To create a new popular brand within the Sci-fi genre.

I want to take a closer look at the series piece by piece – similar to my Bungo Stray Dogs retrospective – and look at the franchise as a whole to see if it was a one-trick pony or not.

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SSSS. Gridman Was Worth It

Okay, I’ll take full responsibility for this. I placed SSSS. Gridman in an unfortunate position, when I claimed it could be another misfire. Granted, after Darling in the Franxx, I had to be somewhat cautious, but I also acted like this had to be the new Evangelion. As far as I’m concerned, that is always going to be a setup for disappointment.

So now that the ridiculous standard I put it to has been set aside, the question remains: was SSSS. Gridman another misfire from Studio Trigger? Well, you likely read the title to this review so, probably not. But just how good is it?

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