At this point, it is pretty clear that Bones are masters of choreography and even clearer that I am a HUGE fanboy of their work. Last time I showcased fight scenes from the Cowboy Bebop movie, Sword of the Stranger, Darker than Black, and Mob Psycho 100. The quality of those fights truly speak for themselves but fights alone aren’t what make Bones special. It is their reputation for constantly creating new, imaginative works across genres and demographics, and still managing to approach each project with love and care. In that respect, today I will talk about consistency and variety, two qualities that make Bones one of the best in the business.
Yuri on Ice, Directed by Sayo Yamamoto and created by Mitsurou Kubo, is the latest project from Studio MAPPA, who’s previous projects include Cowboy Bebop director Shinichiro Watanabe’s Kids on the Slope, the beautiful Rage of Bahamut: Genesis, and the very bizarre Punchline. Yuri on Ice has also the been the subject of much debate over the implied relationship between the two main characters, with some heralding the show as a masterpiece for that element in it of itself. But can this thoughtful experiment in characterization stand on its own, or does it fall flat as a paradigm of pandering?