The Witcher 3: Wild Hunt is one of the best RPGs I’ve ever played. A rich yet depressive fantasy epic spanning multiple nations plagued by monsters and war. It’s a story about prejudice and choosing between greater and lesser evils. Amidst all of that, it remains a world that players couldn’t help but get lost in.
After the release of the live-action Witcher series on Netflix, the game saw a resurgence in interest from fans new and old. I should know, I was replaying it too. It was a quirky and often epic show that had its highs and lows, but despite it all, I loved it. News of new spinoffs and films were only natural, but was the franchise biting off more than it could chew?
If I had any concerns, they were minor, because Nightmare of the Wolf, the first of these spinoffs, was a film I highly anticipated. It came from Studio Mir, the studio behind Legend of Korra. Everything looked in place for this to be an enjoyable prequel centered around Vesemir, Geralt’s mentor.
And somehow, this film surpassed every expectation I had.
The following is my review of The Millionaire Detective that I wrote back in October. If you like what you read and are interested in reading more by the AQ crew and me, be sure to bookmark AnimeQuarterly.com and make it your next frequent stop for anime news and reviews, Also, help us grow by supporting us on Patreon.
The following are my first impressions of The Millionaire Detective that I wrote for Anime Quarterly back in July. If you like what you read and are interested in reading more by the AQ crew and me, be sure to bookmark AnimeQuarterly.com and make it your next frequent stop for anime news and reviews. Also, help us grow by supporting us on Patreon.
Do you ever notice time travel stories being criticized or picked apart more than other sci-fi? There have been numerous classics with all kinds of different interpretations and theories. Perhaps because it is a particularly nebulous concept among sci-fi subject matter that it inspires more analysis and thus is more prone to criticism.
But that is the point of science fiction, is it not? To explore out-of-this-world ideas. Still, the task of formulating a satisfying and logically sound time travel story adds considerably more work to the already lofty task posed by the standards of fiction writing.
From a creative standpoint, why risk it? Even the Marvel Cinematic Universe, which has continually prided itself on its thorough construction decided to muck things up by introducing time travel in Avengers: Endgame. Plot holes resulting from stories like this could be explained away after the fact just as easily as they could be things the writers never considered.
Is it a fault of the discussion or the writers? Well, it can be a bit of both. When I hear of a time travel story that has been widely praised even years after its release, I get that much more intrigued. Time travel is hard to do and no show does time travel quite like Steins;Gate, which I finally watched just last month.