What Do The Evangelion Rebuilds Do Better?

When you take an established property with a certain level of fame in the cultural gestalt and try to do it again, you are asking for criticism. Remakes have these nasty labels attached to them because in principal a worthwhile piece of art should be able to stand on its own. Why remake something when the old work still exists?

Apart from being a cash-grab, maybe to update art that is arguably out of date and hasn’t aged well. Better yet, perhaps the remake signifies an intention to take a work in another direction to use the original’s framing device in a new innovative way. Either way, it’s easy to divide people over a new vision. Too close to the original and it seems pointless, but too different and it could be seen as a betrayal.

But what happens when the same mind behind the original comes back to remake his work, albeit with new help? Hideaki Anno’s classic Neon Genesis Evangelion certainly gained fame over the years despite how infamous it was at the time. The psychological drama fueled by Anno’s anguish made it legendary and yet Anno felt there was more to be done.

Anno split off from Gainax and together with his underling, Kazuya Tsurumaki, he decided to “rebuild” Evangelion. These films have been praised and lambasted in equal measure over the years. Most often people find an issue with the lack of thoughtful psychological pathos that made NGE‘s characters so real despite the premise. You can find plenty who will praise the visuals of the rebuilds, but many who will argue it doesn’t make up for what is lost.

But is there nothing here of value? Are these films not without some quality that is superior to the originals? I like to think that isn’t the case and after finally watching them recently, I think there are plenty of reasons to fall in love with these films. With the fourth and presumably final film coming in 2020, now is the perfect time to ask, what did the rebuilds get right?

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A Review of Star Driver

I must say, ladies and gentlemen, I’m feeling a bit peeved right now. No one thought to notify me that Studio Bones produced a half magical boy, half mech show in 2010, bringing together an all-star staff list to produce one of the most flamboyant, bizarre and visually enticing works that almost none of my friends know about. A delightful gem by the name of Star Driver.

This staff list alone should garner attention from any Anime fan. The director is Takuya Igarashi, director of Soul Eater, Ouran Highschool Host Club, and Bungou Stray Dogs. The script was penned by Youji Enokido, who wrote FLCL, Redline and (again) Bungou Stray Dogs. Hell, sound director Kazuhiro Wakabayashi has so many credits worth mentioning that I’ll just direct you to his MyAnimeList page.

Impressive staff aside though, how do all the pieces fit together? And considering the pedigree of Bones and the other artists working on it, how has this show not been talked about more in the years since it’s release?
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