Seldom is a movie so addicting that I find myself rewatching it within a day. Even most good films hit the spot just right that I can give it at least a while before a second watch. But some movies, whether they’re short or just incredibly well-paced, get me coming back almost instantly. The kind of film varies, but they have something in common: spectacles that I can’t get out of my head.
Mobile Suit Gundam: Hathaway is one such movie. Director Shukou Murase, the man behind Gangsta, Ergo Proxy, and Genocidal Organ – among others – brings this story to life, from novel to film. It’s the first of a planned trilogy from Studio Sunrise, and it might just be the most gorgeous film to look at in 2021.
It’s the end of 2020… nearly. For December, I’m taking another hiatus to do some fiction writing. While I wouldn’t call it a grand finale, given how rough the year has been for many, it’s still worth celebrating that it is still ending. To celebrate, why not shout out the stories that know how to conclude the best.
Glass Reflections on YouTube often has said that “the ending is paramount” and despite my disagreements with him, I can’t disagree with him on that one. The ending of a story can make or break it. The conclusion of SAO: Ordinal Scale made the plodding narrative leading up to it all worth it. On the flip side, the last five minutes of Black Butler II ruined an otherwise exciting season in retrospect.
So here are a few of my favorite endings that left on a high note, redeeming lesser qualities or acting as the culmination of greater ones. They made me cry, they made me giggle uncontrollably, or they left me without the will to speak.
Mobile Suit Gundam is the pinnacle of the mecha genre and has been astonishing fans for decades with classic after classic. Whether in the “Universal Century” canon or the numerous alt-universe spinoffs, Gundam has explored so many different possibilities and stories, all under the care of one studio: Sunrise.
It is surprising, then, just how long I went without having ever completed a full Gundam series. I remember watching Iron-Blooded Orphans on Toonami when it aired, but I didn’t get too far into it before moving on to other shows. To be honest, I’ve held off for so long because the Gundam series, as important as its reputation has made it out to be, has always appeared rather daunting.
Just as the Fate series can seem overwhelming from the outside, I was never sure where to start with Gundam. Thankfully, at the recommendation of some friends, I found myself falling in love with a comparably short but oh so deep entry to jumpstart what I’m sure will be a longtime fandom. From Kazuhiro Furahashi, the director of Dororo, Hunter x Hunter (1999), and Rurouni Kenshin, this is Mobile Suit Gundam: Unicorn.