I find it amusing that the Project Itoh films adapted Itoh’s novels in the reverse order of when they were released. While that wasn’t the original intention, as the release schedule was different before The Empire of Corpses‘ announcement, it nevertheless became this way.
Empire was a mere concept of a story never completed by Itoh himself before he lost his battle with cancer. Next, Harmony, the tale of medical dystopia, was written amid Itoh’s cancer treatment. Genocidal Organ might not have a clear parallel to Itoh’s plight, but it was his first and most prominent written work. Through this film project, it’s almost like Itoh was becoming alive again.
That said, the film was hardly as optimistic as such a claim would imply. Genocidal Organ is a militaristic sci-fi drama that dissects the mind of soldiers in a future where they can be made to feel nothing. The influence between Itoh and the works of Hideo Kojima is plain as day and this story arguably goes even harder in portraying the horrors of modern warfare than MGS4 did.
This film was also delayed from late 2015 to late 2017 as Manglobe went bankrupt and production resumed under a new studio. The production problems combined with the long wait meant that the film project lost steam while the expectations grew larger for those still anticipating it. When all was said and done, was Project Itoh a success?
Rarely in discussions of book-to-film adaptations am I in a position where I’ve read the book. Most times I come at those discussions from a neutral standpoint, weighing the deviations vs the quality of the work. Additionally, the difference between the two mediums has to be accounted for. Some things work better in a book and some things work better in a movie.
The only work by Satoshi Itoh that I’ve read is Genocidal Organ, his first and most famous novel. I read it in anticipation of the delayed animated film. Part of me felt like I should indulge in the original material after the second film in the Project Itoh trilogy left me disappointed. From Studio 4°C, this is Harmony.
I know last week I said “come back next week for the next Project Itoh review,” but this week got off to a bumpy start.
As of writing, I’ve come down with a cold. Yes, I’m sure it’s just a cold, I don’t think I have COVID. Normally I’d fight through a cold like it’s nothing but something about getting sick at all after six months of quarantining made me a lot more suspicious about what this was as soon as I got symptoms.
So I was spending the last two days – which are typically my biggest writing days – sleeping. If it were just that, I probably would have been a bit more indecisive on whether to make this post. However, there is something very important going on today, the day this is posted…
I’ve only ever read one of the works by the late Satoshi Itoh. It was his first novel, Gyakusatsu Kikan, or in English, Genocidal Organ. It was a stirring sci-fi novel depicting a future in which first-world countries became surveillance states out of fear of terrorism. Once you’ve read some of his work, it isn’t surprising that he was great friends with Hideo Kojima, the writer/ director behind the Metal Gear Solid series.
Itoh wrote three published novels in his time before losing a battle with cancer in 2009. Genocidal Organ was followed by Harmony in 2008. In the same year, he penned the novelization of Kojima’s grandest work yet, Metal Gear Solid 4: Guns of the Patriots. Before losing a battle with cancer in 2009, Itoh began work on another story, The Empire of Corpses.
That final story would go on to be finished by Itoh’s friend Toh Enjoe and published in 2012. In 2014, a film project was announced, adapting all three of his original stories to animation. Genocidal Organ would be animated by Manglobe (Samurai Champloo, Ergo Proxy). Harmony would be helmed by Studio 4°C (the Berserk: Golden Age Arc movies, Mind Game). Finally, The Empire of Corpses would be helmed by Studio WIT (Attack on Titan, Kabaneri of the Iron Fortress).
This ambitious project would be simply titled: Project Itoh.
Back in 2017, I wrote briefly about Itoh’s history in anticipation of Genocidal Organ‘s theatrical release in the US. However, I missed an opportunity to truly explore the merits of these films. It’s been three years and I haven’t seen much attention given to these unique science-fiction stories. It’s time to consider whether or not this project truly did justice to the works of a talented author who passed away too soon.
From director Ryoutarou Makihara, this is The Empire of Corpses.
On July 12th and 13th, Genocidal Organ by Geno Studios will be in US theaters by Funimation Films for a limited time. It is based on the 2007 novel of the same name, written by the late Satoshi Itoh, who went by the name Project Itoh. This will be the third and final film adapted from Itoh’s novels and released in the US.
This man’s work is incredibly special to me and his story is one I believe should be shared. In preparation for the release of Genocidal Organ, I wanted to do my part to spread the word about the film as it is one of my most anticipated movies of the year. Simultaneously, I want to tell you all a bit more about Itoh and his other works. I hope you all fall in love with his works like I have. Continue reading →