It’s the end of 2020… nearly. For December, I’m taking another hiatus to do some fiction writing. While I wouldn’t call it a grand finale, given how rough the year has been for many, it’s still worth celebrating that it is still ending. To celebrate, why not shout out the stories that know how to conclude the best.
Glass Reflections on YouTube often has said that “the ending is paramount” and despite my disagreements with him, I can’t disagree with him on that one. The ending of a story can make or break it. The conclusion of SAO: Ordinal Scale made the plodding narrative leading up to it all worth it. On the flip side, the last five minutes of Black Butler II ruined an otherwise exciting season in retrospect.
So here are a few of my favorite endings that left on a high note, redeeming lesser qualities or acting as the culmination of greater ones. They made me cry, they made me giggle uncontrollably, or they left me without the will to speak.
It says a lot when I can fall in love with a director after just one of their works. Rie Matsumoto stole mine and many others’ hearts after season one of Blood Blockade Battlefront. While at times her chaotic direction could produce scenes difficult to parse, I defend that she has a way of conducting a narrative unforgettably.
I’d always heard that there was one other show that she directed but I never got around to watching it. One day while walking through a movie store, I found a copy of a series that immediately caught my eye. Something about the art and its dynamic composition spoke to me and I thought it looked familiar. Sure enough, when I looked it up on my phone, there she was.
Kyousougiga, a Toho Animation series directed by Rie Matsumoto. Just recently I took the time to dive into it and get a sense of what an original work of hers looks like. Additionally, today I want to look at Matsumoto’s career past and present to get a better sense of her style and where she comes from.
Sequels can be risky. This is true in any medium, but to many, Anime has a particular reputation for dodgy sequels. Some shows see changes in production staff that rob the sequel of what made the first so great, such is the case with Psycho-Pass 2. Other times, we may never even get a sequel due to low Blu-ray sales and miss out on the closure that any good story needs.
Thankfully, some of my favorite shows have gotten worthwhile sequels, but often I just hope that whatever 12 episode show I watch ends conclusively enough that I won’t be heartbroken should it not get renewed. So it’s with great pleasure that I say that season two of Kekkai Sensen manages to continue the show strong, sticking closer to the source material without disregarding the Anime-original story that made me fall in love with season one. Continue reading →