It says a lot when I can fall in love with a director after just one of their works. Rie Matsumoto stole mine and many others’ hearts after season one of Blood Blockade Battlefront. While at times her chaotic direction could produce scenes difficult to parse, I defend that she has a way of conducting a narrative unforgettably.
I’d always heard that there was one other show that she directed but I never got around to watching it. One day while walking through a movie store, I found a copy of a series that immediately caught my eye. Something about the art and its dynamic composition spoke to me and I thought it looked familiar. Sure enough, when I looked it up on my phone, there she was.
Kyousougiga, a Toho Animation series directed by Rie Matsumoto. Just recently I took the time to dive into it and get a sense of what an original work of hers looks like. Additionally, today I want to look at Matsumoto’s career past and present to get a better sense of her style and where she comes from.
I have tried to watch Soul Eater on four different occasions and the farthest I’ve gotten is episode four. When I tell my friends this, they are surprised (for good reason). I have long been a huge fan of the works of Studio Bones, with two of my three favorite shows of all time having been made by them. I’m also a huge fan of sakuga and consider it to be one of the coolest things about watching anime. Most importantly, Takuya Igarashi is one of my favorite directors of all time.
That I was unable to get into a show applicable to all three above qualities is entirely explainable but still a head-scratcher. Especially if you’ve read any of my posts on Studio Bones in the past, it seems like a show I would love. The short of it was that the writing and characters did nothing to draw me into the show and I was somewhat bored.
But when I saw the trailers for David Production’s adaptation of Fire Force – another work from Soul Eater author Atsushi Okubo – I got excited. The artwork and music conveyed a darker tone and got me thinking that a different kind of story by the same creator might be more to my liking. Hell, it already looked like a show by Bones anyway and David Productions has been growing steadily thanks to stuff like Jojo’s Bizarre Adventure. Fire Force quickly became my most anticipated show of the summer.
Now, as Fire Force‘s first season nears the midway point, I’m left a little underwhelmed. How did such a promising show fail to meet my expectations? More importantly, is it good enough to continue watching?
How in the hell did Attack on Titan Season Three, Part 2 become #2 on MyAnimeList’s all-time top anime list? I was already a little surprised when Your Name dropped to #6 after Hunter x Hunter 2011 (makes sense), another iteration of Gintama (meh), and Steins;Gate (how have I not watched this yet?). However, for Attack on Titan to take #2, particularly in its third season? Now that threw me for a loop.
Granted, I’m not pretending this list is the be all end all, as it is merely determining the best based on the average score given by the users who have rated it on their lists. None of these shows are perfect. Both Fullmetal Alchemist Brotherhood and Your Name are arguably overrated and flawed, even if I think they are great. However, this list does give a sense of the nature of certain show’s fanbase and the cultural discussion surrounding a work.
I’ve never seen Gintama, nor does it look that interesting, but for this show to consistently score this highly tells me that the fanbase must be one of the most committed ever. Likewise, Hunter x Hunter 2011 is one of the most highly scored Shonen’s out there. Steins;Gate to me is the equivalent of that popular Emmy nominated show everyone says to watch but that I’ll take years to sit down and enjoy. The list says a lot more than just which anime is the best.
As such, my goal today is not to argue whether or not Attack on Titan is deserving of this status, but to understand why the fanbase is reacting so strongly and now of all times. Especially because, to me, season three is the weakest of three admittedly solid seasons.
Some months back I went on a whole tirade about finding my “perfect” anime and ended up determining my three favorite shows of all time. One of them was Kekkai Sensen, an episodic action series by Studio Bones, which remains to be the closest to perfection I have found. However, when making that decision, I had a significantly difficult time picking between that and one other show: Bungo Stray Dogs.
Bungo Stray Dogs follows the Armed Detective Agency, a group of superhuman detectives who keep order in the port city of Yokohama. Meanwhile, they frequently face off against other supernatural organizations such as the aptly named Port Mafia. All major characters are named and based on real literary authors.
They are somewhat similar in premise. Both shows follow a team of sometimes serious, sometimes whacky superhumans keeping the peace in their respective towns. Kekkai Sensen captures the packed insanity of New York City while throwing in aliens and monsters. Bungo favors a more comparably peaceful and modern Yokohama. Both shows are episodic with a through-line narrative, both straddle the line between dramatic and comedic and they are both produced by Bones.
Eventually, it was no contest that Kekkai Sensen won the battle for being a bit more put-together throughout, whereas BSD was mixed in the first season. It helps that the former has the single greatest season finale I’ve ever witnessed, putting at least the first season comfortably among my top three.
That being said, Bungo Stray Dogs rides much the same line that Kekkai Sensen treads in winning over my heart and could easily make my top 10. It has managed to continue strong, with a feature film and a currently-airing third season. Six episodes in, it doesn’t seem to be losing stride.