Save for a rant-filled, canceled post from this past summer, I have never formally written on the topic of My Hero Academia. That might seem sacrilegious given my prior reputation as a Studio Bones devotee, but it never felt like there was anything to be said that hadn’t already been said.
It’s a super fun show given greater clout by its colorful cast and a uniquely relatable protagonist who goes through quite a lot of punishment to become the hero he wants to be. It has also been well-produced, taking year-long breaks in-between seasons to ensure a sustainable level of quality between arcs.
After a somewhat underwhelming third season (to me at least), the fourth season has been stellar so far, and high on hype from the last arc, I think everyone had high expectations for the new film, Heroes Rising. And to make a great year even better, those expectations were most certainly met.
While not necessarily in vogue among anime critics lately, it isn’t hard to find rankings of very specific subjects within the community. “Top 10 Strongest Anime Characters”, “Top Ten Anime Villains”, “Top Ten Anime Couples”, etc. And of course, who could forget the perpetually memed “Top Ten Anime Betrayals,” which I don’t think I’ve ever seen created unironically.
However, while overdone, it has never felt like the kind of thing that anime critics do begrudgingly out of some unspoken tax as per the job. After all, anime has a lot of cool shit and fights are no exception. It’s only obligatory so far as such a thing is relatively easy to create and an ample excuse to ramble about things we like. That’s half the reason people like me become critics anyway.
So in no particular ranked order, here are a few my favorite anime fight scenes.
Last week I looked at the divisive continuations of Psycho-Pass, both the second season and the movie. The latter marked the end of what I consider the first phase of the franchise, one bookended by two solid stories by Gen Urobuchi, held back by an abysmal second season and some missed potential with the film.
In 2018, a new trilogy of films set in the Psycho-Pass universe was announced for a 2019 release date called Sinners of the System. The three short films, each about an hour in length, take place at various points throughout the timeline. It would be the first new entry in the series in about four years. In the same year, a third season would be announced and released in the fall.
Psycho-Pass was back, with original director Naoyoshi Shiotani’s involvement being a major selling point. They wanted us to know that the series was returning in good hands. Even so, with such a long delay and the second season still a sore spot for many fans who felt the film didn’t make up for it, how well would this new phase fare?
Last week I raved about the best film of 2019, Penguin Highway. Initially, I wanted to get a head start on a new multi-part series of reviews but things take time. January tends to be a time to reflect on the previous year anyhow so why not keep the ball rolling. I watched more shows this year than I have in a while and there are still more which I missed, but for now, here are my top five TV anime of 2019.
Some months back I went on a whole tirade about finding my “perfect” anime and ended up determining my three favorite shows of all time. One of them was Kekkai Sensen, an episodic action series by Studio Bones, which remains to be the closest to perfection I have found. However, when making that decision, I had a significantly difficult time picking between that and one other show: Bungo Stray Dogs.
Bungo Stray Dogs follows the Armed Detective Agency, a group of superhuman detectives who keep order in the port city of Yokohama. Meanwhile, they frequently face off against other supernatural organizations such as the aptly named Port Mafia. All major characters are named and based on real literary authors.
They are somewhat similar in premise. Both shows follow a team of sometimes serious, sometimes whacky superhumans keeping the peace in their respective towns. Kekkai Sensen captures the packed insanity of New York City while throwing in aliens and monsters. Bungo favors a more comparably peaceful and modern Yokohama. Both shows are episodic with a through-line narrative, both straddle the line between dramatic and comedic and they are both produced by Bones.
Eventually, it was no contest that Kekkai Sensen won the battle for being a bit more put-together throughout, whereas BSD was mixed in the first season. It helps that the former has the single greatest season finale I’ve ever witnessed, putting at least the first season comfortably among my top three.
That being said, Bungo Stray Dogs rides much the same line that Kekkai Sensen treads in winning over my heart and could easily make my top 10. It has managed to continue strong, with a feature film and a currently-airing third season. Six episodes in, it doesn’t seem to be losing stride.