Ignore the Hate, Ghost in the Shell SAC_2045 is Good

The new Ghost in the Shell is good

This isn’t up for debate. Not because I’m opposed to dissenting opinions but because the festering shitholes known as the comment sections and forum posts about this new series have made such a claim a necessity.

About three years ago, Ghost in the Shell: SAC_2045 was announced. After 14 years, Stand Alone Complex was getting a direct sequel, something that was welcome after the middle-of-the-road Arise series from 2013. Even better, it would be directed AND WRITTEN by Kenji Kamiyama, the same guy who directed and wrote the original SAC. As a bonus, he would be co-directing alongside Appleseed director Shinji Aramaki.

Production I.G. would be working on it (no surprise there) along with Sola Digital Arts. In a big surprise, the character designs would be handled by Ilya Kuvshinov, someone who is mostly known to me for making beautiful art that people always set as their Soundcloud thumbnails for some reason.

Just last year we got a sense of what this very production team, sans Kuvshinov, was capable of. They released the Netflix original Ultraman, the animated sequel to the legendary Tokusatsu show of the same name. It was a cool show that got praise at the time, for good reason. So you’d think that knowing that these same people were working on the new Ghost in the Shell that people would look at the two and think “ok, this is the kind of animation I can expect.”

Instead, a lot of stupid fucking people acted like they didn’t see it coming when the new Ghost in the Shell was entirely CGI. Now that it’s released, I’d like to believe that people realized they were wrong, but nope. So I’m coming out of my hiatus swinging to get you motherfuckers cultured.

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A Review of Tenrou: Sirius the Jaeger

Expectations can be rough. In my post about searching for my “perfect” anime, I laid out the key elements present in most of the media I enjoy. When I see even one of these components presented especially well in an upcoming show, I become obsessed. This is more or less what drew me to B: The Beginning at the start of 2018 and it has happened again now with Tenrou: Sirius the Jaeger.

But integral the success of any of my favorite shows are qualities that only present themselves when the entire picture shows itself. In this way, Sirius hooked me with its style, concept and the mastery of its action, but when the dust settled there wasn’t much left. Sirius is a lesson in the price of basing the crux of a show’s appeal on just action

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Imagining My Perfect Anime

The “best” anime of all time is different for everyone. Across all media, in fact, you would be hard pressed to find a unanimously agreed upon “best” thing, outside of the agreements found within one’s own tight-knit group. Even then, there will be differences in taste.

“It’s all subjective,” is the point I’m trying to get across, but perfection doesn’t have to be dismissed in critique just because it’s improbable. If the perfect anime is different for everyone, and no consensus can be reached, then perfection is purely personal taste. It is absent of objective standards of quality and instead panders to the greatest amount of our interests.

I believe most people have not found their perfect movie or TV show, possibly because it doesn’t exist yet. We all have favorites though, so it stands to reason that if I took three of my favorite anime of all time and picked them apart, I could get a sense for what my perfect anime would be. Bear with me, this is going somewhere.

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What the New ‘Ghost in the Shell’ Needs To Accomplish

It was reported back in August that Production I.G. would be going forward with two new seasons of the acclaimed sci-fi series, Ghost in the Shell. Not only that, directors Kenji Kamiyama, previously responsible for the amazing Ghost in the Shell: Stand Alone Complex, and Shinji Aramaki (Appleseed) would be directing one season each.

With this comes excitement but also caution. Ghost in the Shell is one of my favorite series and in my view, the best sci-fi franchises of all time. However, it would be an understatement to say I.G. hasn’t made some missteps recently. This year alone, we got B: The Beginning, a show I enjoyed, but that was terribly marketed and is already obscure. Who could forget the FLCL sequels, the first of which was god awful and the second of which I haven’t finished but have heard was decent.

Having directors like these on the projects gives me hope, no doubt, but I can’t help but worry that this will just be a lifeless cash-in like FLCL Progressive. Especially after Arise, the latest animated entry that was met with mixed reception, and a poorly received live-action film (Oh look, I wrote about that). GITS needs to get back to its roots and this new series might just be the chance for that, but this new story needs to be built on a strong foundation.
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The Untapped Potential of Ghost in the Shell 2017

[This analysis contains spoilers for Ghost in the Shell 2017]

Ghost in the Shell, directed by Rupert Sanders, is not a great movie. That isn’t to say it is terrible. I feel the need to clarify that in a world where sometimes it feels like things are either great or terrible. No, Ghost in the Shell may not be great, but it is an average, entertaining science fiction action flick.

Many will accuse this film of whitewashing, though I would argue many of those people haven’t seen much of the series. The hardcore fans who have seen the series mainly dislike the film for being a dumbed down, poor adaptation. Is it dumbed down? Certainly. Is it a poor adaptation? Well,¬†that depends on your perspective.

Keep in mind that EVERY version of Ghost in the Shell is significantly different from the other. The characters and lore change enough between them that it is easier to think of them as completely separate universes. Even the original manga creator, Shirow Masamune, said there was no definitive Ghost in the Shell. Hell, the original film was an adaptation of the manga and by all merits, it was nothing like the manga.

So in this analysis, I’m not judging GITS 2017 as an adaptation, but simply a new, flawed take on the series. I want to look at how this film fails to capture the essential elements of the series and even look what makes this film unique and the themes and messages that- if executed properly- could have led to a truly different, but all-together great classic.
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