Video game adaptations are almost always bad. The best of them excel only on the condition that you overlook large caveats, be they performances, the script, or how faithful the project is to the original. Video games are hard to adapt. You’re either trying to appeal to fans and alienating movie-goers or vice-versa. Both can fail depending on what is being adapted and how.
In the mid-2000s’, Warren Ellis wanted to make a direct-to-video animated film based on Castlevania. While the script was approved by Konami, the work ended up stuck in production hell for years. Adi Shankar, a producer who went viral with his “Bootleg Universe” series of fan-films, eventually was approached about producing an animated series based on Ellis’ script. While he turned down the same idea for a live-action film, believing live-action wouldn’t fit, he was more than happy to work on this one.
So eventually, Netflix adapted Ellis’ script into an animated series produced by Powerhouse Animation, an American studio. The first season – all four episodes of it – came out in July of 2017 and took the internet by storm. Everyone, myself included, was instantly clamoring for more. With the release of the second season in the fall of 2018, the show revealed even more of its potential with a longer season, more character drama, and even better animation.
With the recently released and certainly shocking third season fresh in our minds, it might be good to look back on the series as a whole thus far. It’s certainly the best video game adaptation, but is that saying a whole lot? Is Castlevania more than just the sum of its gorgeous animation?
Save for a rant-filled, canceled post from this past summer, I have never formally written on the topic of My Hero Academia. That might seem sacrilegious given my prior reputation as a Studio Bones devotee, but it never felt like there was anything to be said that hadn’t already been said.
It’s a super fun show given greater clout by its colorful cast and a uniquely relatable protagonist who goes through quite a lot of punishment to become the hero he wants to be. It has also been well-produced, taking year-long breaks in-between seasons to ensure a sustainable level of quality between arcs.
After a somewhat underwhelming third season (to me at least), the fourth season has been stellar so far, and high on hype from the last arc, I think everyone had high expectations for the new film, Heroes Rising. And to make a great year even better, those expectations were most certainly met.
Last week I raved about the best film of 2019, Penguin Highway. Initially, I wanted to get a head start on a new multi-part series of reviews but things take time. January tends to be a time to reflect on the previous year anyhow so why not keep the ball rolling. I watched more shows this year than I have in a while and there are still more which I missed, but for now, here are my top five TV anime of 2019.
For a series that I wouldn’t hesitate to recommend to my friends, the first season of Bungo has a few more problems upon second glance. This happens a lot with good shows I feel. There is a first season that catches your attention with some elusive quality you can’t quite put your finger on. Next up, the sequels build on the formula, turning the show into something even grander than you first envisioned.
The real tricky part is getting people into it without over-hyping it purely on the grounds of how good it gets later on. I’m sure if I kept watching Breaking Bad season four I would love it, but I don’t wanna watch Skylar try to buy a God damn car wash for half a season. Where was I? Oh yeah, allow me to start by giving you an honest look at this show’s humble beginnings.
How in the hell did Attack on Titan Season Three, Part 2 become #2 on MyAnimeList’s all-time top anime list? I was already a little surprised when Your Name dropped to #6 after Hunter x Hunter 2011 (makes sense), another iteration of Gintama (meh), and Steins;Gate (how have I not watched this yet?). However, for Attack on Titan to take #2, particularly in its third season? Now that threw me for a loop.
Granted, I’m not pretending this list is the be all end all, as it is merely determining the best based on the average score given by the users who have rated it on their lists. None of these shows are perfect. Both Fullmetal Alchemist Brotherhood and Your Name are arguably overrated and flawed, even if I think they are great. However, this list does give a sense of the nature of certain show’s fanbase and the cultural discussion surrounding a work.
I’ve never seen Gintama, nor does it look that interesting, but for this show to consistently score this highly tells me that the fanbase must be one of the most committed ever. Likewise, Hunter x Hunter 2011 is one of the most highly scored Shonen’s out there. Steins;Gate to me is the equivalent of that popular Emmy nominated show everyone says to watch but that I’ll take years to sit down and enjoy. The list says a lot more than just which anime is the best.
As such, my goal today is not to argue whether or not Attack on Titan is deserving of this status, but to understand why the fanbase is reacting so strongly and now of all times. Especially because, to me, season three is the weakest of three admittedly solid seasons.
It was February 1st, 2015. I had gotten back from school and was ready to relax for the night until my friend sent my other friend and I a single text.
“Guys, Monty didn’t make it”
I had already known that Monty was in the hospital for several days, but not one part of me thought he would actually die. My friends and I were heartbroken and while it felt too disrespectful to ask, I’m certain everyone was thinking “what’s going to happen to RWBY?”
It would go on, as it turns out. We got a glimpse of the fight animation from the tournament arc at the following summer’s RTX convention and things were looking pretty cool. Despite that, I was extremely cautious of how well the show would look, how good the fight scenes would be, and whether or not the story would finally start improving. Even when Volume Three ended up premiering on October 24th, 2015, I wouldn’t have a concrete answer, but it was certainly the beginning of a new era of RWBY, for better… or worse.