‘Is It Wrong to Try to Pick Up Girls in a Dungeon?’; The Best Series You Didn’t Give A Chance

How many shows have you passed on because you figured they “weren’t worth your time?” What were the factors that contributed to that impression? Was it a lack of interesting marketing? Was it the style? Or did you buy into the narrative being thrown around that a show was “trashy”?

In 2015, I watched YouTuber Demolition D+’s video on the Spring 2015 anime season and delighted in his humorous appraisal of that quarter’s entertainment. The headliner for the video was Is It Okay to Try to Pick Up Girls in a Dungeon?, or, DanMachi as it would come to be abridged. Demo called it an SAO clone and I didn’t so much as bat an eye because I was laughing so much.

But then the second season aired in 2019 and friends who watched it told me about the show’s world and how it was actually pretty fun and that I should give it a chance. By this point, I’d already accepted that SAO wasn’t as bad as we all thought it was, so who was I to turn down an opportunity to prove my misconceptions wrong.

After watching all three seasons of DanMachi, not only am I shocked as to how anyone could have compared this to SAO beyond the leads sharing the same VA, Yoshitsugu Matsuoka. The art styles aren’t even that similar. More than anything, I’m angry that I didn’t watch this sooner.

This is DanMachi, my new favorite fantasy anime.

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A Review of Mob Psycho 100

In American superhero culture there is an often annoying discussion about power-level in regards to fictional characters. The logic of any shonen action series or superhero story steeped in thematic morals is that the hero with the strongest will and heart wins specifically because of those components.

Yet still people will get all up in arms, partly because suspension of disbelief is often integral to the balance needed to keep audiences entertained. The other reason is that characters who are overpowered are often criticised because their power seems unearned, their victories seem illogical, or that there is no tension. It is the same reason why Superman is such a divisive character.

Funnily enough, the works of manga artist ONE seem to avoid these issues in discussion surrounding the works. It could be because the very nature of characters being overpowered are the point of the story like in One Punch Man, but there is more to it than that. After finally watching Mob Psycho 100, it is apparent that ONE’s talent comes from his ability to tackle complex themes and to produce tension and stakes through character drama rather than simply through the power levels of the characters.

Now that I have finally watched it, One thing is for sure, and it is that I am even more angry that Mob Psycho 100 did not win best animation back in 2016.

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Animegraphy: A Yearly Musical Delight

Every November from 2012 to 2015, an editor who goes by the name of Qyll would produce music videos showcasing anime from each year. The series was called Animegraphy, and it was a truly spectacular tradition that gave anime fan a reason to be excited for November. They usually contained about four or five songs and could easily switch between upbeat and fun, romantic, sad, or action-packed. And they only got better and more polished as the years went on.

Sadly, 2015 was the last year for Qyll’s amazing series, and many newcomers have stepped up to continue the tradition. Today, I want to share all of Qyll’s Animegraphy music videos and even one that I believe to be a worthy successor. Continue reading