I Thought I Would Hate Virgin Punk (And I Was Dead Wrong)

[Trigger Warning: This review covers a film that touches on some sensitive subject matter. Namely, a villain with a lolita fetish and a main character being forced into a younger version of her body and being controlled by said villain. There is – thankfully – no sexual violence depicted in this film, but I felt the need to put a disclaimer anyway.]

During Aniplex Online Fest 2024, a trailer dropped for a film that instantly captivated my attention like nothing else. A cyberpunk action story, but one that traded the traditional neon-drenched eerie gloom for a bright, sun-drenched European-inspired city that might look utopian if it weren’t for all the blood being shed. Gunfights, explosions, sinister men, and amid the chaos, a young woman in a cybernetic body, dragging a large attache case and toting a mean-looking pistol. This was Virgin Punk, and I couldn’t fucking wait to watch it

It was to be the start of a new series from Yasuomi Umetsu, a beloved director and animator behind Kite (1998) and Mezzo Forte (2000), two OVAs famed for their gunporn, to say nothing of the actual porn in their extended editions. Yep, they were hentai, albeit with enough exciting action and competent attempts at weaving revenge stories and crime thrillers that they could cut out the sex entirely and still find an audience. And that’s exactly what happened when the OVAs found their way overseas, not that there was much choice when the uncensored versions were banned in multiple countries.

But see, I didn’t like Kite. It’s actually one of my least favorite anime. I found it a little gross, to be honest, and even the highs of the action weren’t enough to compensate. It was heralded as a classic, but I found it lacking, such that it stained my perception of the director and his work. You might wonder why I’d be so excited for Virgin Punk in that case, but I think the trailer speaks for itself. There’s just one problem: the trailer speaks for itself, and once it got subtitles, I feared that this new film would fall victim to the fetishes of an unfortunately cracked director.

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My Top Ten Anime List, a Decade in the Making

Over a Christmas break in 2013, I binged Attack on Titan and became an anime fan. This often surprises the friends that I’ve made since then because, what with how I talk about this industry and my favorite shows therein, one would think I’ve been this way since I was a kid. My high school pals have been watching Dragonball and Naruto since they were kids, but they would likely call me out as the biggest weeb in the group.

A few years ago, I decided that when 2024 struck, I’d have a list of the top ten anime I have watched in those ten years. And then, New Year’s came and went and I realized I’d completely forgotten to write this. Thankfully, I already had the skeleton of a list ready to go and only had to make a few adjustments. I know I haven’t kept up with this blog as much as I would have liked, but I wasn’t about to miss this occasion.

So without further ado, whether you’re a friend or mutual anime blogger with whom I have been blessed to share this platform, here are the best anime I have ever seen.

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Stranger By The Shore Was Great & I Wish It Was Longer

I’ve spoken about my thoughts on LGBT anime in the past. I’ve grappled with my thoughts on how homosexuality is portrayed in Japan and my feelings with shows that I’ve loved in the past that had queer-coded elements or queer-baiting. But in the last year especially, I’ve started to look on the brighter side of things. I’ve started to appreciate what my earliest exposures to queerness in anime gave me, regardless of any flaws.

Representation can only get better with time and with more diversity in the room when stories are being crafted. With studios like Blue Lynx producing higher quality gay cinema, gay representation in anime reaching new heights. And after delaying it for FAR too long, I’m happy to say that Studio Hibari’s The Stranger by the Shore is the best gay romance I’ve seen yet, but for very particular reasons…

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Shukou Murase’s Visual Masterpiece | Gundam: Hathaway

Seldom is a movie so addicting that I find myself rewatching it within a day. Even most good films hit the spot just right that I can give it at least a while before a second watch. But some movies, whether they’re short or just incredibly well-paced, get me coming back almost instantly. The kind of film varies, but they have something in common: spectacles that I can’t get out of my head.

Mobile Suit Gundam: Hathaway is one such movie. Director Shukou Murase, the man behind Gangsta, Ergo Proxy, and Genocidal Organ – among others – brings this story to life, from novel to film. It’s the first of a planned trilogy from Studio Sunrise, and it might just be the most gorgeous film to look at in 2021.

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Trigger’s Greatest Achievement Yet | SSSS.DYNAZENON

The more that time passes, the more that I look back fondly on 2018’s SSSS.GRIDMAN. At first, it was strange, but then again, a lot of the shows that I love are strange from the outset. Perhaps my threshold for weird is expanding but more likely, I just need something obtuse to keep me on my toes these days; something to truly surprise me.

Gridman was a show about Yuuta Hibiki, a boy with amnesia, finding himself embroiled in a mission to save his city from kaiju with the help of his friends. The catch was that every time the kaiju was defeated, the world was reset the next day. The buildings were rebuilt and anyone who died suddenly had their histories rewritten so that they died of unrelated causes. Only the main characters remembered anything.

There was a mystery. There was also a tangible sense of realism to the way characters talked, especially the high-school protagonists. In an interview with SakugaBlog, director Akira Amemiya confessed that schools were visited to collect data for the show’s production, yet there wasn’t much conscious thought put into making the dialogue more realistic. That almost makes it more impressive that it came off so natural.

CG robots and monsters were used to create a disparity between the character-driven story and the spectacle, similar to how miniature cities and actors in costumes are used in tokusatsu. The villain was complex and one of the best written I’ve seen in years. The reveals were shocking and the scale of the show ended up much larger than it first seemed. And little did we know all that would only be the beginning of a new universe.

From returning director Akira Amemiya and writer Keiichi Hasegawa comes the sequel to 2018’s SSSS.GRIDMAN, SSSS.DYNAZENON.

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The ‘Given’ Movie was Just What I Needed

Back in May, I reviewed Given and concluded that it was precisely the kind of fun that I needed in my life. It was also a sign of more normalized, modestly budgeted LGBT anime on the horizon. And if the fancy title card for publishing company Blue Lynx at the beginning of Given‘s movie was any indication, they’re getting bigger and bigger.

I don’t think this will be a very long review primarily because this wasn’t a particularly long movie. I wouldn’t even bother calling it a movie. It was was more of an OVA. The budget didn’t necessarily increase. The CGI during performance scenes wasn’t great but wasn’t terrible either. This was more of what I liked and for a casual viewing on a Saturday night, I wasn’t disappointed.

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[Repost] The Great Pretender Review: Cases 1 through 3

The following is my review of Cases 1 through 3 of The Great Pretender that I wrote for Anime Quarterly back in September. If you like what you read and are interested in reading more by the AQ crew and me, be sure to bookmark AnimeQuarterly.com and make it your next frequent stop for anime news and reviews. Also, help us grow by supporting us on Patreon.

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You Need To Check Out This Monogatari-inspired Short Story!

My good friend, “Sad Scientist,” is an awesome writer and two years ago he wrote a short story called Scorpion Grass. It was a supernatural mystery set in Japan following two high-schoolers trapped in their school during the holiday break of Oban.

For two years the work went unfinished. Sci had made some changes on a whim and ended up erasing the original ending (happens to the best of us). Thankfully, I still had a saved copy of the original story, so he got to work editing it and perfected it. And now he’s created his own WordPress to publish it.

We all have our inspirations and Sci’s are works of modern fantasy such as Monogatari and the works of Kinoko Nasu (Tsukihime, Garden of Sinners). My love for modern fantasy is well-documented so I was all on-board. I encourage anyone looking for a good read to check out his work. Fans of Monogatari will surely get a kick out of it, and it has enough of an identity on its own that you’ll be itching for more when you’re finished.

Scorpion Grass, by Sad Scientist

Artwork by @MeltyDub on Twitter.

Thanks for indulging in my shameless plugging of my friend’s work, and as always, I’ll see you next time!

A Review of ACCA: 13 – Territory Inspection Dept.

Rarely does a show come along that makes me rethink what I want from a story. Across any number of genres I’m interested in, there is an expectation of how the story will explore “drama. The numerous action shows I watch explore their drama through physical interchange, be it spectacular or grounded in realism.

Even adult dramas with a sparse number of action scenes will present other, more personal forms of violence as well as confrontation through dialog. Slice of life dramas or comedies may have lighter tones, but they may culminate in some dramatic climax where the tone changes.

This week, I’m exploring a show that approaches its story in a far more relaxed manner. It presents its political theater in a captivating way unlike any other show I’ve watched, and made me reassess how I look at what makes a drama “mature.” From director Shingo Natsume and Studio Madhouse, this is ACCA 13 – Territory Inspection Dept.

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[Repost] A Review of BNA: Brand New Animal

This is a review of Trigger’s recent series BNA that I wrote two months ago for Anime Quarterly. You might recall that I wrote about how I started contributing to the site when it launched back then. Going forward, I’ll be re-uploading my reviews and other such content from Anime Quarterly here two months after they have premiered on AQ.

If you like the review and are interested in reading more by me and the rest of the AQ crew, be sure to bookmark AnimeQuarterly.com and make it your next frequent stop for anime news and reviews. Also, help us grow by supporting us on Patreon. Without further ado, here is my review of BNA.

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