I’ve discussed previously my disdain for the praise aimed at Trigger in its early days. The whole “savior of anime” meme got old quick with the industry growing larger than ever, and certainly not solely because of Trigger’s work. Funnily enough, as time has gone on, there are now a lot of people who seem to think Trigger is “stagnating,” but that’s kinda bullshit.
With their catalog having built up over the years, Trigger has only been getting more praiseworthy as time has gone on. Kiznaiver was one of the best looking shows of 2016, Gridman was one of my top five from last year, and I don’t think I stopped smiling the entire time I watched Space Patrol Luluco.
Now, director Hiroyuki Imaishi and screenwriter Kazuto Nakashima have reunited for a new project, this time a feature-length film. As I am in Japan currently, I took this rare opportunity to see the film in theaters. Because I am not fluent and didn’t pick up on everything, this is not a formal review, but I couldn’t resist taking the time to give my thoughts.
Look at any of Japan’s most prominent genres and you might notice how self-referential the country’s media is. The tropes and visual iconography seen in classic Mecha like 1988’s Gun Buster can be seen mimicked in everything from Gundam to other classics like Gurren Lagann. I think of this as a cultural signature of Japan that they love to pay homage to the art that inspires new works. It’s about embracing new while not forgetting the old.
This past fall, SSSS Gridman hit the scene, especially committed to capturing the magic of classic Tokusatsu beyond visual cues. In the same vein, a new series on Netflix appears to have the same intentions, though arguably more accessible than Gridman. With sci-fi directors Kenji Kamiyama (Stand Alone Complex) and Shinji Aramaki (Appleseed) helming the series, I was dead set from the first trailer. Here is my review of the Netflix Original Series, Ultraman.
So apparently I never shared a video that I made last year on YouTube. Or maybe I did and it was within another post. Either way, I’m sharing it now. I was taking a culture course to prepare me for my trip to Japan (where I currently am). It was the same course for which I wrote my review of Your Name (which oddly enough, I did share here). The story goes, I was asked to make a video about my host culture. Being a weeb, I decided to make a video about sakuga, as it is something I am deeply passionate about. Check it out below.
I’m going to Japan for four months to study and I don’t know when I’ll be free to write about Anime. I’ve got a couple ideas for posts that I’ll see if I can squeeze out while I’m there, but if you don’t hear from me, don’t worry. I’ll be back with stories to tell and hopefully, even more ideas for things to write about.
I will be posting my review of RWBY Volume Six before I leave though. Expect that tomorrow or as soon as I have internet when I’m in Japan.
If you want to follow my journey, I have been assigned to run another blog during my trip. Sakura in Japan is the name. A lot of the prior posts are things I had to write for assignments so I procrastinated on some of them, hence the inconsistent quality. Still, expect some good stories and plenty of pictures.
What the hell IS Anime? Maybe you think the answer is obvious but the topic of the term’s application seems to be a heavily debated one. It makes perfect sense when we are talking about shows from Japan but in the same discussions about shows like Fullmetal Alchemist or Naruto, you could easily hear someone bring up American animated shows like Avatar or Voltron. There are countless arguments online as to the valid application of the term and just as many debating if the term’s use should even matter.
To me, the term “Anime” can be misused in a way that, by no intent of the person who misuses it, can paint a false image of Anime and perpetuate certain ideas about the medium of animation or the sub medium known as Anime. So today I want to lay out exactly what I consider to be Anime, how I rationalize this, and why I even give a shit. Continue reading →