It’s the end of 2020… nearly. For December, I’m taking another hiatus to do some fiction writing. While I wouldn’t call it a grand finale, given how rough the year has been for many, it’s still worth celebrating that it is still ending. To celebrate, why not shout out the stories that know how to conclude the best.
Glass Reflections on YouTube often has said that “the ending is paramount” and despite my disagreements with him, I can’t disagree with him on that one. The ending of a story can make or break it. The conclusion of SAO: Ordinal Scale made the plodding narrative leading up to it all worth it. On the flip side, the last five minutes of Black Butler II ruined an otherwise exciting season in retrospect.
So here are a few of my favorite endings that left on a high note, redeeming lesser qualities or acting as the culmination of greater ones. They made me cry, they made me giggle uncontrollably, or they left me without the will to speak.
My good friend, “Sad Scientist,” is an awesome writer and two years ago he wrote a short story called Scorpion Grass. It was a supernatural mystery set in Japan following two high-schoolers trapped in their school during the holiday break of Oban.
For two years the work went unfinished. Sci had made some changes on a whim and ended up erasing the original ending (happens to the best of us). Thankfully, I still had a saved copy of the original story, so he got to work editing it and perfected it. And now he’s created his own WordPress to publish it.
We all have our inspirations and Sci’s are works of modern fantasy such as Monogatari and the works of Kinoko Nasu (Tsukihime, Garden of Sinners). My love for modern fantasy is well-documented so I was all on-board. I encourage anyone looking for a good read to check out his work. Fans of Monogatari will surely get a kick out of it, and it has enough of an identity on its own that you’ll be itching for more when you’re finished.
Artwork by @MeltyDub on Twitter.
Thanks for indulging in my shameless plugging of my friend’s work, and as always, I’ll see you next time!
International Women’s Day was this past Sunday and ever since my hiatus I have been excited to take the opportunity to praise some of my favorite female characters. Whether they be relatable, funny, awe-inspiring, or simply badass, anime has given us so many iconic female characters there’s bound to be a few gals in every anime fan’s list of favorites.
About three years ago, I ranked the five hottest anime dudes I’d seen, based solely on sexual reasons. As I am not straight, the same can’t be said for this list. I would have called it “anime women who almost turned me bi,” but that wasn’t necessarily accurate either. Regardless, the important thing about any ranking of characters be that the writing produces a character worth giving a shit about, regardless of attractiveness… still though these women are fucking gorgeous.
I have tried to watch Soul Eater on four different occasions and the farthest I’ve gotten is episode four. When I tell my friends this, they are surprised (for good reason). I have long been a huge fan of the works of Studio Bones, with two of my three favorite shows of all time having been made by them. I’m also a huge fan of sakuga and consider it to be one of the coolest things about watching anime. Most importantly, Takuya Igarashi is one of my favorite directors of all time.
That I was unable to get into a show applicable to all three above qualities is entirely explainable but still a head-scratcher. Especially if you’ve read any of my posts on Studio Bones in the past, it seems like a show I would love. The short of it was that the writing and characters did nothing to draw me into the show and I was somewhat bored.
But when I saw the trailers for David Production’s adaptation of Fire Force – another work from Soul Eater author Atsushi Okubo – I got excited. The artwork and music conveyed a darker tone and got me thinking that a different kind of story by the same creator might be more to my liking. Hell, it already looked like a show by Bones anyway and David Productions has been growing steadily thanks to stuff like Jojo’s Bizarre Adventure. Fire Force quickly became my most anticipated show of the summer.
Now, as Fire Force‘s first season nears the midway point, I’m left a little underwhelmed. How did such a promising show fail to meet my expectations? More importantly, is it good enough to continue watching?
Studio Shaft turned Nisio Isin’s bizarre, engaging, and dialogue rich novel series into one of the most visually appealing Animated series of all time and if you have never watched the Monogatari series before, now is the time to give it a try.
If aesthetic and visual storytelling is your jam, then Kizumonogatari will be your bible. Announced in 2010, this trilogy tells the tale of wounds that put the entire story of the series into motion, making it the perfect place to jump in for newcomers.
Anime is often accused of having way too much sexualization to truly take the medium seriously. So what do I think, having been invested in this medium for so long? Well, I take to this topic the same stance I have on most discussions about representation and content in media. Sexualization itself is not the problem. The problem, if you feel there is one, is in the execution and frequency of said sexualization.
I’m of the mind that sex appeal is a necessary part of media because sex and the wide array of emotions tied to it make it a great emotional appeal in a narrative. Of course, it has other, more obvious uses as well, but I don’t think we should be afraid of sex in media, we should be afraid of not having enough variety in our media to balance out that sex.
I have been overjoyed recently, seeing Anime become even more popular here in the west and I believe the main reason for this is the involvement of two companies. Firstly, Funimation, the Houston-based Distributer that licenses, dubs and distributes Anime while also providing a streaming service. Secondly, Crunchyroll, a primarily streaming platform giving people access to hundreds of Anime, Manga and Japanese drama. The unification of these two companies has made the power of these two companies even stronger. Just recently Crunchyroll got all 64 episodes of Fullmetal Alchemist Brotherhood onto their site as one of the benefits of this deal and there has been a promise that this partnership will help get more Blu-ray releases for even more anime.
But for some reason when I talk to a lot of friends about Crunchyroll and Funimation, there seems to be a lot of hate surrounding the two that I simply do not understand. So I figured I’d give my two cents on why I think the hate is a bit ridiculous and suggest what we SHOULD be complaining about instead.
This season alone we have received the long awaited sequel to Attack on Titan and the sequel to one of the best shows of 2016, My Hero Academia. This has gotten me thinking about what other sequels are coming soon. After all, there are so many new and great shows each season, but every once in awhile, we get a sequel to an acclaimed series, an old classic or even an obscure gem. In the spirit of sequels, here are a few sequels I am interested in or would like to see in the future. I highly encourage you to check out each of the shows I will be addressing and to share them with others. Enjoy!
Since I have posted reviews on Facebook and Myanimelist before I started this blog, I figured I’d reupload those reviews on Fridays for the next couple weeks. Enjoy!
Anyone who has studied film has probably heard of the French New Wave (La Nouvelle Vague), a movement of French filmmakers breaking off from traditional Hollywood filmmaking to produce their own, low budget, artistic works. The Nouvelle Vague was highlighted by films that compensated for their low budgets with inventive camerawork that changed a story could be conveyed through jump cuts and excessive environmental imagery. Characters would foreshadow events, break the fourth wall, and display a sentient knowledge of their existence as fictional characters, accompanied with extensive knowledge of the genre they inhabit Continue reading