Megalo Box is a Love Letter to Anime’s Past

Remember two years ago when Studio Wit released Kabaneri of the Iron Fortress? To this day, that show’s greatest strength was its artwork and how it called back to the anime of the 80’s in both character design, shading and even how the characters evolved. It was a beauty to behold and I’m happy to hear that the series is going to continue despite the first season’s lackluster narrative.

The few anime from the 80’s I have seen I have LOVED. Gunbuster is easily one of my favorite OVAs ever made and even the 80’s anime I have not seen speak volumes through the artwork I’ve stumbled upon. For this reason, I am delighted that TMS Entertainment has decided to further pay homage to the animation of yesteryear with Megalo Box. Continue reading

A Review of the Kizumonogatari Trilogy

Studio Shaft turned Nisio Isin’s bizarre, engaging, and dialogue rich novel series into one of the most visually appealing Animated series of all time and if you have never watched the Monogatari series before, now is the time to give it a try.

If aesthetic and visual storytelling is your jam, then Kizumonogatari will be your bible. Announced in 2010, this trilogy tells the tale of wounds that put the entire story of the series into motion, making it the perfect place to jump in for newcomers.

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A Review of Blood Blockade Battlefront & Beyond

Sequels can be risky. This is true in any medium, but to many, Anime has a particular reputation for dodgy sequels. Some shows see changes in production staff that rob the sequel of what made the first so great, such is the case with Psycho-Pass 2. Other times, we may never even get a sequel due to low Blu-ray sales and miss out on the closure that any good story needs.

Thankfully, some of my favorite shows have gotten worthwhile sequels, but often I just hope that whatever 12 episode show I watch ends conclusively enough that I won’t be heartbroken should it not get renewed. So it’s with great pleasure that I say that season two of Kekkai Sensen manages to continue the show strong, sticking closer to the source material without disregarding the Anime-original story that made me fall in love with season one.
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A Review of Ergo Proxy

The benefit of a show like Ergo Proxy is that despite having come out in 2006, most people who watch this show have no idea where this show will go and the bizarre turns it will take with its story. I am no exception as I have been aware of this show and parts of its premise for years. However, upon finishing all 23 episodes, I can safely say that my expectations for the show were proven false after just three or four episodes and I never was truly able to predict where it would go after that.

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A Review of Showa Genroku Rakugo Shinjuu, Season 2

As I said in my review of season one, it isn’t often that Anime fans are blessed with a period piece drama aimed at a mature audience. To be honest, given how typically shows like this don’t get a lot of attention, I’m amazed we got a sequel. Now that I’ve found a peaceful Monday morning to finish the series- exactly the type of peaceful scene I think the creators intended this show to be viewed in- I can’t resist talking about this series.

Much like the first season, It feels a bit difficult reviewing this series because it is so much quieter and more reserved than most other shows I watch- even shows that are also dramas. It is a melancholic jaunt through the lives of artists, performers, mothers, fathers, saints, sinners and the children who carry on the legacies of their families. It is one of the most unique Anime I have seen in years and I can tell you right now, it is one that everyone should check out.
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Darker Than Black: Gaiden And My Closing Thoughts on the Series

My last two posts focused on seasons one and two of Darker Than Black, a niche action Anime that I’ve been obsessed with over the past month for its flaws just as much as what is good about it. However, since the OVA is only four episodes, I may as well make the review short and sweet and then finally assess this series as a whole. If You’d like to read my other reviews to catch up, I will link them below.

A Review of Darker Than Black, Season One

A Review of Darker Than Black, Gemini of the Meteor

With that squared away, let’s get to the good stuff.
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A Review of Darker Than Black: Gemini of the Meteor

I think I may have been a little too harsh on the first season of Darker Than Black. Sure, the story’s structure was a bit unusual, the stories themselves weren’t always that enjoyable and there was a conflicting tone that wasn’t well balanced, but it pulled through for me because the action and characters were very well done and the themes of the story, while open for interpretation, filled me with a sense of real satisfaction at the end of the series that I don’t often feel when analyzing a show. I ended my review of season one calling it average, but after watching season two I almost want to give the first season higher praise.

If you haven’t read my season one review, check it out here…

A Review of Darker Than Black, Season One

When we get sequels to popular Anime, the results can be mixed. You either get a sequel like Ghost in the Shell: Stand Alone Complex 2nd Gig or you get a sequel like Psycho Pass 2. The former expands upon the original’s premise and delivers an altogether superior product while the latter is a mess, plagued with new additions at the cost of what made the original so enjoyable. Sadly, Darker Than Black: Gemini of the Meteor is the latter rather than the former.

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A Review of Darker Than Black, Season One

Do you ever try to find out why you love a show and then are dissatisfied with the reasons you come up with? Not because the reasons themselves aren’t sufficient, but because it doesn’t feel like those reasons are what typically justify praise when it comes to narrative mediums.

One popular school of thought places the narrative and writing at the forefront of what makes a story good. For me though, it is only the most common reason that people universally agree upon the quality of a story. Visual mediums are the most meaningful to me when the end result is a culmination of effective writing, visuals and especially music.

So what happens when I’m confronted with a show that flaunts a strong visual presence and great music but falls short in consistent writing and narrative. More importantly, why do I love 2007’s Darker Than Black, despite it falling into that category? Continue reading

A Review of Showa Genroku Rakugo Shinju, Season One

A period piece drama about an obscure Japanese performing art, aimed at adults, is not what people have come to expect from anime. It certainly was a change of pace from what I’m used to. Even Anime I consider to be aimed at older audiences are usually action shows, science fiction, or character based deconstructions, but there is a certain class about Showa Genroku Rakugo Shinju that I don’t see from a lot of Anime.

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A Review of ユーリ on ICE!!! (Originally posted December 27th, 2016)

Yuri on Ice, Directed by Sayo Yamamoto and created by Mitsurou Kubo, is the latest project from Studio MAPPA, who’s previous projects include Cowboy Bebop director Shinichiro Watanabe’s Kids on the Slope, the beautiful Rage of Bahamut: Genesis, and the very bizarre Punchline. Yuri on Ice has also the been the subject of much debate over the implied relationship between the two main characters, with some heralding the show as a masterpiece for that element in it of itself. But can this thoughtful experiment in characterization stand on its own, or does it fall flat as a paradigm of pandering?

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