I have no plans to make any sort of big “best of the decade” post, purely because I became an anime fan right around the midsection of this decade and always feel I can become more cultured. However, if you all would permit one instance of passionate and opinionated hyperbole, it would be that Psycho-Pass is one of the best science fiction series of the past decade.
But that word “series” carries a certain connotation. After all, there have been three seasons of Psycho-Pass and about four films, not counting the novel and video game spin-offs as well. Furthermore, after season one, the quality of the series is contentious at best.
Some argue the first season is the peak and then all sequels pale in comparison to varying degrees. It’s a perspective that I can’t necessarily argue with, even if I enjoy most of the content after season two. Regardless, I think that the series’ continued lifespan speaks well of the intentions of the creators at the beginning: To create a new popular brand within the Sci-fi genre.
I want to take a closer look at the series piece by piece – similar to my Bungo Stray Dogs retrospective – and look at the franchise as a whole to see if it was a one-trick pony or not.
Spoilers below, click here for my review of this show
In the first episode of Akagami no Shirayukihime our protagonist Shirayuki works as a herbalist in the country of Tanbarun. Born with exceedingly rare red hair, she is told that she must become a concubine for Raji, her country’s prince, giving up her life as a herbalist. She spends a long time thinking. Soon enough it is night time. and she makes a choice. Rest assured, the question of whether or not she would become a concubine was never even contemplated. She wouldn’t give up her career so easily. No, instead she pulls an all-nighter, concocting medicine for everyone she knows in town, before cutting her hair and leaving the bright red ponytail on the window sill before fleeing the country. This act of defiance would become one of the many reasons that she is my favorite female character of all time.
It seems that every year, I grow to appreciate the art of animation every year, by growing fonder of different studios, actors, techniques, narrative styles, and directors and the conclusion I have come to is that without Japanese animation, I would not harbor the appreciation for storytelling that I possess now. It takes a special kind of show to remind me of that to the point that I am left breathless by what has transpired. Akagami no Shirayukihime, or Snow White with the Red Hair, is that show.