Kabaneri of the Iron Fortress is Probably Better Than We Give It Credit For

Imagine: It’s 2013. You’re Tetsurou Araki, the famed director behind Death Note and Highschool of the Dead. Now, you and WIT Studio, the offspring of Production I.G., have blown the minds of anime fans new and old with an adaptation of Hajime Isayama’s manga, Attack on Titan.

The problem: You adapted too much of what was already written and there’s not nearly enough content to make a second season immediately. People are frothing at the mouth for more and you want to give it to them. That’s when a script by Ichirou Ookouchi and Hiroshi Seko catches your eye.

It’s similar to Attack on Titan, but only on the most surface level. It’s about humans surviving in walled cities against a horde of monsters with a specific weak spot. However, the setting, technology, aesthetic, and philosophy behind the action are a beast of their own. There’s something here. An opportunity to do what Attack on Titan did, with the same people, unconstrained by the wait for source material.

From director Tetsurou Araki and WIT Studio, with music by Hiroyuki Sawano, this is Kabaneri of the Iron Fortress, the anime that was meant to surpass Attack on Titan.

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A Four Year Late Review of Attack on Titan, Season One

With Attack on Titan’s second season now completed, it is the perfect time to look back on the first season and give it a formal review before giving its sequel the same treatment later this week. Attack on Titan holds a special place in my heart as it was the Anime that made me fall in love with Anime back in January of 2014, thus kickstarting a three and a half year obsession that has introduced me to entirely new facets of entertainment I never knew I wanted. I’m surprised I haven’t given this show a formal review before, so without further ado, here is my review of Attack on Titan.

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