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I’ve been blogging here since freshman year of college and in the time since, I’ve thought a lot about what comes after graduating. For a while there, I was so excited about how well this blog has done that I shelved that question when it was most important. Given current events, however, I had to kick it into high gear and think about my future.
So I’m sad to say that my review of Trigger’s new show, BNA, isn’t here…
Instead, it’s on another site that I am now a writer for
I’ve discussed previously my disdain for the praise aimed at Trigger in its early days. The whole “savior of anime” meme got old quick with the industry growing larger than ever, and certainly not solely because of Trigger’s work. Funnily enough, as time has gone on, there are now a lot of people who seem to think Trigger is “stagnating,” but that’s kinda bullshit.
With their catalog having built up over the years, Trigger has only been getting more praiseworthy as time has gone on. Kiznaiver was one of the best looking shows of 2016, Gridman was one of my top five from last year, and I don’t think I stopped smiling the entire time I watched Space Patrol Luluco.
Now, director Hiroyuki Imaishi and screenwriter Kazuto Nakashima have reunited for a new project, this time a feature-length film. As I am in Japan currently, I took this rare opportunity to see the film in theaters. Because I am not fluent and didn’t pick up on everything, this is not a formal review, but I couldn’t resist taking the time to give my thoughts.
Okay, I’ll take full responsibility for this. I placed SSSS. Gridman in an unfortunate position, when I claimed it could be another misfire. Granted, after Darling in the Franxx, I had to be somewhat cautious, but I also acted like this had to be the new Evangelion. As far as I’m concerned, that is always going to be a setup for disappointment.
So now that the ridiculous standard I put it to has been set aside, the question remains: was SSSS. Gridman another misfire from Studio Trigger? Well, you likely read the title to this review so, probably not. But just how good is it?
This is my first impression of episodes 1-7 of SSSS. Gridman
Guys, the masterminds at Trigger are at it once again, breathing life into the mech genre and “saving anime”, because that’s still a thing people talk about. Not only is it full of bitchin’ mech fights, but it’s also got a potentially interesting story beneath the veneer of a monster of the week show.
Now I know what you’re gonna say: “Matthew, isn’t this the exact same fucking thing you said about Darling in the Franxx?” Well, yes, kinda, but trust me they’re gonna get it right this time. Today’s show, SSSS. Gridman could very well be the next Evangel–
-Whoa, whoa, whoa, it it’s only gonna be 12 episodes? Oh, fuck…
To the surprise of no one in this community, Anime is getting big. The movies, the exciting new projects, the growing fandom here in the states and the new players tackling this previously niche market are all very exciting. With this change though comes cynicism, as typical when the cool little clubhouse fandoms start as expand to cover more broad demographics and become something larger.
Subject to this vitriol recently has been Crunchyroll. The former illegal fansub site turned big streaming service has been growing for years, becoming one of the biggest names in Anime here in America. One that is lending a hand to the industry itself. Such growth is impressive and depending on who you talk to, really positive. Talk to the others though, and there is a different story.
Recent controversy mixed with my friends’ opinions regarding the service has given me pause to think critically about this company. Its quality as a streaming platform, it’s relationship with the Anime industry, and it’s own “agenda” (god I hate that word) are all up for discussion. So, as strange as it sounds, here is a review of Crunchyroll. Continue reading →
After an incredible midseason finale, Darling in the Franxx kept going strong while taking things a bit slower to focus on the character drama. This part of the story has always been the most engaging throughout the entire program, and my hopes were high for the second cour of this fairly divisive show.
Sadly as it reached the conclusion, I became conflicted about the direction the show took. I waited patiently, knowing I wouldn’t have a solid grasp on my feeling towards the show until it was completed. Now that it is, I can safely say that Darling in the Franxx did not live up to the lofty promises that detractors would argue never bore fruit in the first place. Continue reading →
The spring Anime season is upon us and everyone is either watching Violet Evergarden now that it is on Netflix or the new season of My Hero Academia. Meanwhile, I’m over here still watching Darling in the Franxx, the collaboration between Trigger and A-1 that I covered a couple months ago. So before everyone forgets about it, I thought I would cover the show thus far and see how it has been shaping up as it enters the second half of its 24-episode run. Continue reading →
Studio Trigger, to me, is the darling (pun not intended) of the Anime industry. It didn’t start that way, mind you. The hype and praise surrounding it was merely built on the staff list and the ridiculous expectations of fans who were bound to be disappointed when Kill la Kill wasn’t perfection. Factor in several other duds like Ninja Slayer or the second Little Witch OVA and it starts feeling like Trigger was all talk.
Thankfully, with shows like Kiznaiver or Space Patrol Luluco, Trigger is starting to really earn the hype it garnered at the beginning. It is a studio overflowing with creativity, exploring new avenues and other genres with every project, even if they don’t always have a ton of money. Perhaps to rectify that specific issue, Trigger has partnered with A-1 Pictures to produce Darling in the Franxx, a brand new mech anime from the director of The Idolm@ster, Atsushi Nishigori. Continue reading →